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Approaches towards studying cultural industries and the analysis of their applicability within the reality of modern Russian culture
16 references·0 citing·52 second hop
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References

  • 1972Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems1,345 cited
  • 1987Classification in Art1,240 cited
  • 2008A Core/Periphery Perspective on Individual Creative Performance: Social Networks and Cinematic Achievements in the Hollywood Film Industry677 cited
  • 1975Cycles in Symbol Production: The Case of Popular Music597 cited
  • 2006Entrepreneurship, Innovation and Industrial Development: Geography and the Creative Field Revisited401 cited
  • 1971Entrepreneurship in Organizations: Evidence from the Popular Music Industry361 cited
  • 1990Why 1955? Explaining the advent of rock music289 cited
  • 2002Economies of Signs and Space285 cited
  • 2019Platform Practices in the Cultural Industries: Creativity, Labor, and Citizenship258 cited
  • 2003Global Culture: Media, Arts, Policy, and Globalization233 cited
  • 1979Revitalizing the Culture Concept228 cited
  • 2006Arts and aesthetics: Marketing and cultural production217 cited
  • 1977Market Structure, the Creative Process, and Popular Culture: Toward an Organizational Reinterpretation of Mass‐Culture Theory213 cited
  • 1997Post-Punk's attempt to democratise the music industry: the success and failure of Rough Trade198 cited
  • 2017

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What the digitalisation of music tells us about capitalism, culture and the power of the information technology sector
145 cited
  • 2005On the reproduction of the musical economy after the Internet145 cited
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