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In search of Humboldt’s colors: materials and techniques of a 17th-century lacquered gourd from Colombia

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2014Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry345 cited
2009Microanalysis of organic pigments and glazes in polychrome works of art by surface-enhanced resonance Raman scattering196 cited
2005Analytical Imaging Studies Clarifying the Process of the Darkening of Vermilion in Paintings126 cited
2019Seeing red: towards an improved protocol for the identification of madder- and cochineal-based pigments by fiber optics reflectance spectroscopy (FORS)98 cited
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2011The use of microscopic X-ray diffraction for the study of HgS and its degradation products corderoite (α-Hg3S2Cl2), kenhsuite (γ-Hg3S2Cl2) and calomel (Hg2Cl2) in historical paintings72 cited
2018A multispectral imaging approach integrated into the study of Late Antique textiles from Egypt60 cited
2019Recent Advances on the Analysis of Polychrome Works of Art: SERS of Synthetic Colorants and Their Mixtures With Natural Dyes58 cited
2012In situ noninvasive Raman microspectroscopic investigation of polychrome plasterworks in the Alhambra55 cited
2010Surface‐enhanced Raman spectroscopy (SERS) on silver colloids for the identification of ancient textile dyes. Part II: pomegranate and sumac49 cited
2010Fungal deterioration of a Jesuit South American polychrome wood sculpture43 cited
2012Atacamite as a natural pigment in a South American colonial polychrome sculpture from the late XVI century

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