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Beyond the Bounds of Western Europe: Paleolithic Art in the Balkan Peninsula
16 references·7 citing·39 second hop
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References

  • 2000The revolution that wasn't: a new interpretation of the origin of modern human behavior2,717 cited
  • 2015An early modern human from Romania with a recent Neanderthal ancestor802 cited
  • 2002The Upper Paleolithic Revolution623 cited
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  • 2005The impossible coincidence. A single-species model for the origins of modern human behavior in Europe410 cited
  • 2008Rethinking the human revolution: new behavioural and biological perspectives on the origin and dispersal of modern humans404 cited
  • 2009A female figurine from the basal Aurignacian of Hohle Fels Cave in southwestern Germany400 cited
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  • 2001Ornaments of the earliest Upper Paleolithic: New insights from the Levant291 cited
  • 2012Τesting models for the beginnings of the Aurignacian and the advent of figurative art and music: The radiocarbon chronology of Geißenklösterle289 cited
  • 1985Hominid evolution and community ecology215 cited
  • 2014Rethinking the initial Upper Paleolithic

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169 cited
  • 2009The spread of modern humans in Europe149 cited
  • 2014Palaeolithic Personal Ornaments: Historical Development and Epistemological Challenges97 cited
  • Cited by

    • 2021Mid and Late Upper Palaeolithic in the Adriatic Basin: Chronology, transitions and human adaptations to a changing landscape34 cited
    • 2022Domestic spaces as crucibles of Paleolithic culture: An archaeological perspective34 cited
    • 2023Absence of botanical European Palaeolithic cave art: What can it tell us about plant awareness disparity?9 cited
    • 2021Incised stone artefact in the context of Middle Holocene burials at Cappalombo 1, South Sulawesi, Indonesia | Artefak batu bergores dalam konteks penguburan Holosen Tengah di Situs Cappalombo 1, Sulawesi Selatan, Indonesia7 cited
    • 2023Palaeolithic rock art from Mghvimevi, western Georgia3 cited
    • 2024‘Out of Franco-Cantabria’: The Globalization of Pleistocene Rock Art3 cited
    • 2026Mapping the Symbolic Structure of Palaeolithic Rock Art Using Co-occurrence Network Analysis1 cited