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Diversifying MIR: Knowledge and Real-World Challenges, and New Interdisciplinary Futures
16 references·0 citing·55 second hop
Diversifying MIR: Knowledge and Real-World Challenges, and New Interdisciplinary Futures (2020)Diversifying MIR: Knowledge and Real-Worl…Information, Knowledge, and the Return of Social Physics (2018)Information, Knowledge, and t…Ethical Dimensions of Music Information Retrieval Technology (2018)Ethical Dimensions of Music I…Nothing personal: algorithmic individuation on music streaming platforms (2017)Nothing personal: algorithmic…Developing a framework for responsible innovation (2013)Developing a framework for re…The Sound of Crossover: Micro-rhythm and Sonic Pleasure in Michael Jackson's “Don't Stop 'Til You Get Enough” (2012)The Sound of Crossover: Micro…Feminist theories of technology (2009)Feminist theories of technolo…Space-form and the acousmatic image (2007)Space-form and the acousmatic…Materializing Morality (2006)Materializing MoralityDoing Diversity (2006)Doing DiversityOn Musical Mediation: Ontology, Technology and Creativity (2005)On Musical Mediation: Ontolog…‘HIS SPIRIT IS IN ACTION SEEN’: MILTON, MRS CLIVE AND THE SIMULACRA OF THE PASTORAL IN COMUS (2005)‘HIS SPIRIT IS IN ACTION SEEN…Logic and Ontology (2001)Logic and OntologyOntologies of Music (1999)Ontologies of MusicParticipatory Discrepancies and the Power of Music (1987)Participatory Discrepancies a…Spectro-morphology and Structuring Processes (1986)Spectro-morphology and Struct…Sound Structure as Social Structure (1984)Sound Structure as Social Str…The Social Construction of Technological Systems (1989)A Treatise on the Family (1991)Measuring the Gender Gap on the Internet 1 (2000)Actor Network Theory and After (2001)Gender differences in online travel information search: Implications for marketing communications on the internet (2006)The New Materialisms and Indigenous Theories of Non-Human Agency: Making the Case for Respectful Anti-Colonial Engagement (2019)Saving the Appearances: A Study in Idolatry (1957)The Rational and Social Foundations of Music (1958)Motion and Feeling through Music (1966)Aesthetics as Iconicity of Style, or 'Lift-up-over Sounding': Getting into the Kaluli Groove (1988)Music and Language (1994)Music and the Global Order (2004)The Production of Space (1992)Musicking: The Meanings of Performing and Listening (2000)Ways of listening: an ecological approach to the perception of musical meaning (2006)Soundscape Composition as Global Music: Electroacoustic music as soundscape (2008)Shaping sounds, shaping spaces (2010)The Routledge Companion to Sounding Art (2016)Science in Action (1987)Science in Action: How to Follow Scientists and Engineers through Society (1988)Risk Society, Towards a New Modernity (1994)Responsible research and innovation: From science in society to science for society, with society (2012)Three frames for innovation policy: R&D, systems of innovation and transformative change (2018)Closing the AI accountability gap (2020)Sein und Zeit (1927)Technology and the Lifeworld (1990)What Things Do (2005)Culture of Disengagement in Engineering Education? (2013)‘Hypernudge’: Big Data as a mode of regulation by design (2016)Artificial Intelligence, Responsibility Attribution, and a Relational Justification of Explainability (2019)The Senses Considered as Perceptual Systems (1969)Disjuncture and Difference in the Global Cultural Economy (1990)Science and the Modern World (2000)Logics of interdisciplinarity (2008)The Social and the Aesthetic: For a Post-Bourdieuian Theory of Cultural Production (2010)Actor-Networks in Music History: Clarifications and Critiques (2014)Ethnographic Atlas: A Summary (1967)Male Cults and Secret Initiations in Melanesia (1967)Folk Song Style and Culture. (1969)Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy (1995)Innate talents: Reality or myth? (1998)Keywords: A Vocabulary of Culture and Society (1977)Distinction: A Social Critique of the Judgement of Taste. (1985)The Filter Bubble: What the Internet Is Hiding from You (2011)Folk theories of algorithmic recommendations on Spotify: Enacting data assemblages in the global South (2020)Artificial Communication (2022)Algorithms of Resistance (2024)Race, Culture and Difference (1992)Strange Encounters: Embodied Others in Post-Coloniality (2000)Space Invaders : Race, Gender and Bodies Out of Place (2004)‘You end up doing the document rather than doing the doing’: Diversity, race equality and the politics of documentation (2007)Hidden contexts and invisible power relations: A Foucauldian reading of diversity research (2013)Moving beyond the Janus Face of Integration and Diversity Discourses: Towards an Intersectional Framing (2013)Soundscape, Acoustic Communication and Environmental Sound Composition (1996)The listening imagination: Listening in the electroacoustic era (1996)
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References

  • 2013Developing a framework for responsible innovation3,305 cited
  • 2009Feminist theories of technology849 cited
  • 2006Materializing Morality692 cited
  • 2005On Musical Mediation: Ontology, Technology and Creativity579 cited
  • 1987Participatory Discrepancies and the Power of Music364 cited
  • 1984Sound Structure as Social Structure348 cited
  • 1986Spectro-morphology and Structuring Processes279 cited
  • 2017Nothing personal: algorithmic individuation on music streaming platforms247 cited
  • 2007Space-form and the acousmatic image238 cited
  • 2006Doing Diversity140 cited
  • 2001Logic and Ontology119 cited
  • 1999Ontologies of Music100 cited
  • 2018Ethical Dimensions of Music Information Retrieval Technology91 cited
  • 2012The Sound of Crossover: Micro-rhythm and Sonic Pleasure in Michael Jackson's “Don't Stop 'Til You Get Enough”59 cited
  • 2018Information, Knowledge, and the Return of Social Physics11 cited
  • 2005‘HIS SPIRIT IS IN ACTION SEEN’: MILTON, MRS CLIVE AND THE SIMULACRA OF THE PASTORAL IN COMUS8 cited

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