SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Notes on Tectiforms: Experience of Interpretation, Context
11 references·1 citing·39 second hop
Notes on Tectiforms: Experience of Interpretation, Context (2020)Notes on Tectiforms: Experience of Interp…U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art (2018)U-Th dating of carbonate crus…U-series dating of Palaeolithic rock art at Fuente del Trucho (Aragón, Spain) (2016)U-series dating of Palaeolith…Applications of digital photography in the study of Paleolithic cave art (2016)Applications of digital photo…Nouvelles recherches sur l’identité culturelle et stylistique de la grotte Chauvet et sur sa datation par la méthode du 14C (2014)Nouvelles recherches sur l’id…Mythic codes of the Mezinian (2014)Mythic codes of the MezinianCave Art Interpretation I (2006)Cave Art Interpretation IImmédiat et successif : le temps de l'art des cavernes (2005)Immédiat et successif : le te…Marsoulas, une grotte ornée dans son contexte culturel (2001)Marsoulas, une grotte ornée d…Les gravures de la grotte ornée de Bara-Bahau (Le Bugue, Dordogne) (1997)Les gravures de la grotte orn…Les manifestations graphiques aurignaciennes sur support rocheux des environs des Eyzies (Dordogne) (1978)Les manifestations graphiques…Le symbolisme des grands signes dans l'art pariétal paléolithique (1958)Le symbolisme des grands sign…Notes on the Unique Ocher Drawing Discovered at the Mezhyrich Paleolithic Site in Ukraine (2021)Notes on the Unique Ocher Dra…Essai de sémiologie préhistorique (Pour une théorie des premiers signes graphiques de l'homme) (1977)La grotte Chauvet - l'art des origines (2001)C14 et style (2007)Art pariétal : grottes ornées du Quercy (2010)Against Chauvet-nism. A critique of recent attempts to validate an early chronology for the art of Chauvet Cave (2014)The chronology of Palaeolithic cave art: New data, new debates. Preface to the volume (2015)The contemporary importance and future of Sulawesi’s ancient rock art (2018)U-Series Dating of Paleolithic Art in 11 Caves in Spain (2012)Uranium series dating reveals a long sequence of rock art at Altamira Cave (Santillana del Mar, Cantabria) (2013)The chronology of hand stencils in European Palaeolithic rock art: implications of new U-series results from El Castillo Cave (Cantabria, Spain). (2015)El Paleolítico Superior de la península ibérica (2018)The Origins of Iconic Depictions: A Falsifiable Model Derived from the Visual Science of Palaeolithic Cave Art and World Rock Art (2018)Still no archaeological evidence that Neanderthals created Iberian cave art (2019)Cave Art in Context: Methods for the Analysis of the Spatial Organization of Cave Sites (2011)Application of 3-dimensional microscopy and micro-CT scanning to the analysis of Magdalenian portable art on bone and antler (2013)Digital image enhancement with DStretch®: Is complexity always necessary for efficiency? (2015)A step further in rock art digital enhancements. DStretch on Gigapixel imaging (2019)Lithic or metal tools: Techno-traceological and 3D analysis of rock art (2019)Hidden images in Atxurra Cave (Northern Spain): A new proposal for visibility analyses of Palaeolithic rock art in subterranean environments (2020)Nassarius kraussianus shell beads from Blombos Cave: evidence for symbolic behaviour in the Middle Stone Age (2004)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)The timing and spatiotemporal patterning of Neanderthal disappearance (2014)Palaeolithic cave art in Borneo (2018)Earliest hunting scene in prehistoric art (2019)Oldest cave art found in Sulawesi (2021)Four Hundred Centuries of Cave Art (1952)Cave Art Interpretation II (2006)LES RITUELS DES GROTTES ORNÉES. RÊVES DE PRÉHISTORIENS, RÉALITÉS ARCHÉOLOGIQUES (2006)Las pinturas zoomorfas punteadas del Paleolítico Superior cantábrico: hacia una cronología dilatada de una tradición gráfica homogénea (2008)Les constructions symboliques : l’art préhistorique comme support de communication (2016)Interaction and Alliance in Palaeolithic Society (1982)The Evolutionary Emergence of Modern Human Behaviour: Language and its Archaeology (1991)The Emergence of Ornaments and Art: An Archaeological Perspective on the Origins of “Behavioral Modernity” (2007)The Razor's Edge: Symbolic‐Structuralist Archeology and the Expansion of Archeological Inference (1990)The evolution of human artistic creativity (2009)The role of the cave in the expression of prehistoric societies (2016)Crónica de los intercambios entre los grupos humanos paleolíticos. La contribución del arte para el periodo 20000-12000 años BP (2008)An approach to Palaeolithic networks: The question of symbolic territories and their interpretation through Magdalenian art (2017)Domestic spaces as crucibles of Paleolithic culture: An archaeological perspective (2022)
this work references cited by second hop

References

  • 2018U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art652 cited
  • 1978Les manifestations graphiques aurignaciennes sur support rocheux des environs des Eyzies (Dordogne)60 cited
  • 2016U-series dating of Palaeolithic rock art at Fuente del Trucho (Aragón, Spain)52 cited
  • 2016Applications of digital photography in the study of Paleolithic cave art35 cited
  • 1958Le symbolisme des grands signes dans l'art pariétal paléolithique32 cited
  • 2014Nouvelles recherches sur l’identité culturelle et stylistique de la grotte Chauvet et sur sa datation par la méthode du 14C15 cited
  • 2005Immédiat et successif : le temps de l'art des cavernes10 cited
  • 2001Marsoulas, une grotte ornée dans son contexte culturel10 cited
  • 2006Cave Art Interpretation I7 cited
  • 1997Les gravures de la grotte ornée de Bara-Bahau (Le Bugue, Dordogne)3 cited
  • 2014Mythic codes of the Mezinian3 cited

Cited by

  • 2021Notes on the Unique Ocher Drawing Discovered at the Mezhyrich Paleolithic Site in Ukraine1 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work