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The poetic work of Hernando Colón consists of 17 compositions that appear, in unique version, in the final folios of the manuscript songbook SA10a (Ms. 2763, Library of the University of Salamanca).This paper focuses on the analysis of some problems about the localization and editing of these poems, and it offers a critical edition of them; specifically, the article studies the difficulties of textual transmission, as pieces of monotestimonial tradition, and another aspects related to their location at the end of the Salamanca’s songbook, a collection that contains mostly works belonging to the xvth century.
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