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Experiencing Chen Yi’s Music: Local and Cosmopolitan Reciprocities in Ning for Pipa, Violin and Cello (2002)
16 references·0 citing·29 second hop
Experiencing Chen Yi’s Music: Local and Cosmopolitan Reciprocities in Ning for Pipa, Violin and Cello (2002) (2020)Experiencing Chen Yi’s Music: Local and C…Notes on a Postcolonial Musicology: Kofi Agawu and the Critique of Cultural Difference (2020)Notes on a Postcolonial Music…The Practices of Experimentalism in Latin@ and Latin American Music (2018)The Practices of Experimental…Music, China, and the West: (2017)Music, China, and the West:Chinatown Opera Theater in North America (2017)Chinatown Opera Theater in No…Qupai in Chinese Music (2016)Qupai in Chinese MusicMusic and the New Cosmopolitanism: Problems and Possibilities (2016)Music and the New Cosmopolita…Puccini and the Music Boxes (2015)Puccini and the Music BoxesLimits of National History: Yoko Ono, Stefan Wolpe, and Dilemmas of Cosmopolitanism (2014)Limits of National History: Y…Musical Bordering, Connecting Histories, Becoming Performative (2011)Musical Bordering, Connecting…Analytical and Cross-Cultural Studies in World Music (2011)Analytical and Cross-Cultural…Exploring the Habitus of Listening (2010)Exploring the Habitus of List…Sizhu Instrumental Music of South China (2008)Sizhu Instrumental Music of S…Sizhu instrumental music of South China ethos, theory and practice (2008)Sizhu instrumental music of S…Representing African music: postcolonial notes, queries, positions (2008)Representing African music: p…Structural Analysis or Cultural Analysis? Competing Perspectives on the “Standard Pattern” of West African Rhythm (2006)Structural Analysis or Cultur…The time of music: new meanings, new temporalities, new listening strategies (1989)The time of music: new meanin…Western mathematics: the secret weapon of cultural imperialism (1990)African Polyphony and Polyrhythm (1991)Rhythmic Archetypes in Instrumental Music from Africa and the Diaspora (2010)Rhythmic Feel as Meter (2010)Representing African Music (2014)Form as Process: The Buildup Introduction in Popular Music (2015)The Interpretation of Cultures (1974)Outline of a Theory of Practice (1977)The Cognitive Structure of Emotions (1988)Research on music listening: From Typologies to Interviews with Real People (2013)Misattribution of musical arousal increases sexual attraction towards opposite-sex faces in females (2017)Enacting Musical Time (2019)Musical Form and Style in Murriny Patha Djanba Songs at Wadeye (Northern Territory, Australia) (2011)Forum on Transcription (2014)Transforming African Musical Cycles (2017)The Many Paths of Decolonization (2022)Learning Aesthetic Values in African Musical Worlds (2007)Bytes and Backbeats (2011)Injecting the African spirit of humanity into teaching, learning and assessment of musical arts in the modern classroom (2014)Fantasy Pieces (1999)Beat-Class Modulation in Steve Reich's Music (2003)Journal of Religion & Society (2011)Manuel De Falla’s Music in Letters: Nationalism, Internationalism, And Modernism in his Correspondence with Enrique F. Arbós (1916–1939) (2018)“You too may change” (2021)The Songs of Fanny Hensel (2021)Exploring musician-educators’ reflections on a collaborative cross-cultural music making encounter in Singapore (2022)Interactions of Folk Melody and Transformational (Dis)continuities in Chen Yi’s Ba Ban (1999) (2020)Engaging with a Genre in Decline: Teochew Opera in Western Sydney (2021)The Significance of Percussion Instruments in Isan Thai Folk Music within the Context of Music Education and Learning (2024)
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References

  • 1989The time of music: new meanings, new temporalities, new listening strategies412 cited
  • 2006Structural Analysis or Cultural Analysis? Competing Perspectives on the “Standard Pattern” of West African Rhythm160 cited
  • 2008Representing African music: postcolonial notes, queries, positions65 cited
  • 2016Music and the New Cosmopolitanism: Problems and Possibilities55 cited
  • 2011Analytical and Cross-Cultural Studies in World Music46 cited
  • 2010Exploring the Habitus of Listening44 cited
  • 2018The Practices of Experimentalism in Latin@ and Latin American Music27 cited
  • 2017Music, China, and the West:17 cited
  • 2008Sizhu instrumental music of South China ethos, theory and practice17 cited
  • 2020Notes on a Postcolonial Musicology: Kofi Agawu and the Critique of Cultural Difference15 cited
  • 2016Qupai in Chinese Music15 cited
  • 2014Limits of National History: Yoko Ono, Stefan Wolpe, and Dilemmas of Cosmopolitanism12 cited
  • 2017Chinatown Opera Theater in North America11 cited
  • 2008Sizhu Instrumental Music of South China9 cited
  • 2015Puccini and the Music Boxes6 cited
  • 2011

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Musical Bordering, Connecting Histories, Becoming Performative
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