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The Imaginary Dress. An Interdisciplinary Fashion Approach Among Sociological, Anthropological, and Psychological Orientations
11 references·4 citing·34 second hop
The Imaginary Dress. An Interdisciplinary Fashion Approach Among Sociological, Anthropological, and Psychological Orientations (2020)The Imaginary Dress. An Interdisciplinary…The Presentation of Self in Everyday Life (2023)The Presentation of Self in E…The face of fashion (2010)The face of fashionSubculture (2010)SubcultureSociologie de la mode (2006)Sociologie de la modeResistance Through Rituals (2006)Resistance Through RitualsPostmodernism and Punk Subculture: Cultures of Authenticity and Deconstruction (2004)Postmodernism and Punk Subcul…Anti-Fashion: The 1970s (1997)Anti-Fashion: The 1970sStreet style : from sidewalk to catwalk (1994)Street style : from sidewalk …The Social Psychology of Clothing and Personal Adornment (1985)The Social Psychology of Clot…Fashion and Anti-Fashion. An Anthropology of Clothing and Adornment (1979)Fashion and Anti-Fashion. An …The Changing Tolerance for Income Inequality in the Course of Economic Development (1973)The Changing Tolerance for In…From Secondhand to Invisible Hand: Methods of Manipulating Object Biographies on The Realreal Online Marketplace (2023)From Secondhand to Invisible …Exhibiting fashion on the heritage site: the interrelation between body, heritage space, and fashionable clothing (2023)Exhibiting fashion on the her…Dijital Moda: Endüstri 4.0 çağında kimlik, beden ve kıyafet etkileşimindeki dönüşüm ve kültürel devrim (2023)Dijital Moda: Endüstri 4.0 ça…Več kot moda: onkraj oblačilnih, telesnih, spolnih, odnosnih in komunikacijskih ortodoksij (2022)Več kot moda: onkraj oblačiln…Writing Culture (1986)Writing Culture: The Poetics and Politics of Ethnography (1986)The postmodern condition (1994)Consumption Styles and the Fluid Complexity of Punk Authenticity (2009)“If It Ain't Cheap, It Ain't Punk”: Walter Benjamin's Progressive Cultural Production and DIY Punk Record Labels (2012)Raw Power: Punk, DIY and Underground Cultures as Spaces of Resistance in Contemporary Portugal (2018)Subculture: The Meaning of Style (1995)FromBloritto Ponytail: Israeli Culture Reflected in Popular Hairstyles (2003)From emo kid to stylish GQ Gent and back again: Matty Healy and hybrid masculinity (2020)‘They never felt these fabrics before’: How SoundCloud rappers became the dandies of hip hop through hybrid dress (2022)Poverty and famines an essay on entitlement and deprivation (1981)Aspirations, Poverty, and Economic Change (2006)Who Compares to Whom? The Anatomy of Income Comparisons in Europe (2010)Colour cosmetics consumption among Moroccan women: Examining the nexus of attitudes, religion and the media (2018)Historicizing and authenticating African dress: diaspora double consciousness and narratives of heritage and community (2019)Geographies of Fashion and Style: Setting the Scene (2021)United colors and untied meanings: Benetton and the commodification of social issues (1997)‘One mirror in another’: Managing diversity and the discourse of fashion (2011)Fashioning the popular masses: accounting as mediator between creativity and control (2012)Youth and Cultural Practice (2002)The Production of Culture Perspective (2004)‘Insider Research’ in the Study of Youth Cultures (2005)Culture and Communication: Towards an Ethnographic Critique of Media Consumption in the Transnational Media System (1990)Reentry as a rite of passage (2011)Street habitus: gangs, territorialism and social change in Glasgow (2013)Social Identity Theory and the Organization (1989)Emotional Intelligence (1990)Framing Processes and Social Movements: An Overview and Assessment (2000)Twenty-First Century Dis-Ease? Habitual Reflexivity Or the Reflexive Habitus (2003)The mobile connection: the cell phone's impact on society (2004)Modifying the body: Motivations for getting tattooed and pierced (2007)In Search of a Common Thread: Classification of Information Communicated Through Dress (1990)Impulse Buying Behavior of Apparel Purchasers (1991)Retail store image: a means‐end approach (1998)
this work references cited by second hop

References

  • 2023The Presentation of Self in Everyday Life17,564 cited
  • 2010Subculture1,268 cited
  • 1973The Changing Tolerance for Income Inequality in the Course of Economic Development892 cited
  • 2006Resistance Through Rituals440 cited
  • 1994Street style : from sidewalk to catwalk164 cited
  • 2004Postmodernism and Punk Subculture: Cultures of Authenticity and Deconstruction117 cited
  • 1985The Social Psychology of Clothing and Personal Adornment85 cited
  • 1979Fashion and Anti-Fashion. An Anthropology of Clothing and Adornment45 cited
  • 2010The face of fashion31 cited
  • 1997Anti-Fashion: The 1970s29 cited
  • 2006Sociologie de la mode23 cited

Cited by

  • 2023From Secondhand to Invisible Hand: Methods of Manipulating Object Biographies on The Realreal Online Marketplace7 cited
  • 2023Exhibiting fashion on the heritage site: the interrelation between body, heritage space, and fashionable clothing6 cited
  • 2023Dijital Moda: Endüstri 4.0 çağında kimlik, beden ve kıyafet etkileşimindeki dönüşüm ve kültürel devrim2 cited
  • 2022Več kot moda: onkraj oblačilnih, telesnih, spolnih, odnosnih in komunikacijskih ortodoksij1 cited

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