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Interactions of Folk Melody and Transformational (Dis)continuities in Chen Yi’s Ba Ban (1999)
12 references·1 citing·28 second hop
Interactions of Folk Melody and Transformational (Dis)continuities in Chen Yi’s Ba Ban (1999) (2020)Interactions of Folk Melody and Transform…Reconceiving Structure in Contemporary Music: New Tools in Music Theory and Analysis (2015)Reconceiving Structure in Con…Reconceiving Structure in Contemporary Music (2015)Reconceiving Structure in Con…On Repeat (2013)On RepeatThe Complete Solo Piano Works of Chen Yi: A Recording, Analysis, and Interpretation (2012)The Complete Solo Piano Works…A Theory of Music Analysis: On Segmentation and Associative Organization (2012)A Theory of Music Analysis: O…What Is Third‐Wave Feminism? A New Directions Essay (2008)What Is Third‐Wave Feminism? …Sizhu Instrumental Music of South China (2008)Sizhu Instrumental Music of S…Sizhu instrumental music of South China ethos, theory and practice (2008)Sizhu instrumental music of S…Teaching Chinese Folk Songs with an Authentic Approach (2007)Teaching Chinese Folk Songs w…Bright Sheng's music: An expression of cross-cultural experience—illustrated through the motivic, contrapuntal and tonal treatment of the Chinese folk songThe Stream Flows (2007)Bright Sheng's music: An expr…Hearing Pentatonicism Through Serialism: Integrating Different Traditions in Chinese Contemporary Music (2002)Hearing Pentatonicism Through…Structural Continuity in Chinese Sizhu: The "Baban" Model (1989)Structural Continuity in Chin…Chinese Émigré Composers and Divergent Modernisms (2024)Chinese Émigré Composers and …Sister Outsider: Essays and Speeches (1984)Manifesta: Young Women, Feminism, and the Future (2000)Third-Wave Feminism and the Defense of “Choice” (2010)Postfeminism, Femininities and Organization Studies: Exploring a New Agenda (2014)This bridge called my back : writings by radical women of color (2015)Sexual Violence in the ‘Manosphere’: Antifeminist Men’s Rights Discourses on Rape (2016)The anthropology of experience (1986)Chou Wen-Chung's Cross-Cultural Experience and His Musical Synthesis: The Concept of Syncretism Revisited (2001)The Melodic Structure of Jiangnan Sizhu (1985)A Short History of Chinese Philosophy. (1949)Song Structure and Social Structure (1962)Folk Song Style and Culture (1969)Sonic Poetics of Home and the Art of Making Do in Sinophone Toronto (2018)Enacting Musical Time (2019)Music’s Vibratory Enchantments and Epistemic Injustices. Reflecting on Thirty Years of Feminist Thought in Music Theory (2020)Music Theory’s Therapeutic Imperative and the Tyranny of the Normal (2021)China and the West (2016)Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano Solo (2021)Experiencing Chen Yi’s Music: Local and Cosmopolitan Reciprocities in Ning for Pipa, Violin and Cello (2002) (2020)Engaging with a Genre in Decline: Teochew Opera in Western Sydney (2021)The Significance of Percussion Instruments in Isan Thai Folk Music within the Context of Music Education and Learning (2024)Time, Territorialization, and Improvisational Spaces (2017)Gestural Perspectives on Popular-Music Performance (2022)The Many Paths of Decolonization (2022)Individual differences in mental imagery in different modalities and levels of intentionality (2021)Rhythmic Chanting and Mystical States across Traditions (2021)Segmentation, Phrasing, and Meter in Hip-Hop Music (2021)Formal Structures in Post-Tonal Music (2015)
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References

  • 2008What Is Third‐Wave Feminism? A New Directions Essay359 cited
  • 2013On Repeat150 cited
  • 2015Reconceiving Structure in Contemporary Music: New Tools in Music Theory and Analysis115 cited
  • 2012A Theory of Music Analysis: On Segmentation and Associative Organization87 cited
  • 2015Reconceiving Structure in Contemporary Music22 cited
  • 2008Sizhu instrumental music of South China ethos, theory and practice17 cited
  • 2007Bright Sheng's music: An expression of cross-cultural experience—illustrated through the motivic, contrapuntal and tonal treatment of the Chinese folk songThe Stream Flows11 cited
  • 2008Sizhu Instrumental Music of South China9 cited
  • 2002Hearing Pentatonicism Through Serialism: Integrating Different Traditions in Chinese Contemporary Music9 cited
  • 1989Structural Continuity in Chinese Sizhu: The "Baban" Model8 cited
  • 2007Teaching Chinese Folk Songs with an Authentic Approach7 cited
  • 2012The Complete Solo Piano Works of Chen Yi: A Recording, Analysis, and Interpretation7 cited

Cited by

  • 2024Chinese Émigré Composers and Divergent Modernisms5 cited

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