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Investigating the Potential of the Er:YAG Laser for the Removal of Cemented Dust from Limestone and Painted Plaster
16 references·0 citing·37 second hop
Investigating the Potential of the Er:YAG Laser for the Removal of Cemented Dust from Limestone and Painted Plaster (2020)Investigating the Potential of the Er:YAG…On the influence of relative humidity on the oxidation and hydrolysis of fresh and aged oil paints (2019)On the influence of relative …Non-invasive identification of paint binders in illuminated manuscripts by ER-FTIR spectroscopy: a systematic study of the influence of different pigments on the binders’ characteristic spectral features (2019)Non-invasive identification o…Scientific investigation into the water sensitivity of twentieth century oil paints (2018)Scientific investigation into…The drying of linseed oil investigated by Fourier transform infrared spectroscopy: Historical recipes and influence of lead compounds (2016)The drying of linseed oil inv…Lead soaps in paintings: Friends or foes? (2016)Lead soaps in paintings: Frie…Raman study of different crystalline forms of PbCrO4 and PbCr1−xSxO4 solid solutions for the noninvasive identification of chrome yellows in paintings: a focus on works by Vincent van Gogh (2014)Raman study of different crys…Issues in Contemporary Oil Paint (2014)Issues in Contemporary Oil Pa…Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 1. Artificially Aged Model Samples (2011)Degradation Process of Lead C…Analytical Strategies for Characterizing Organic Paint Media Using Gas Chromatography/Mass Spectrometry (2010)Analytical Strategies for Cha…Organic Mass Spectrometry in Art and Archaeology (2009)Organic Mass Spectrometry in …Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films (2008)Attenuated total reflection m…Pigment study by Raman microscopy of 23 paintings by the Portuguese artist Henrique Pousão (1859–1884) (2007)Pigment study by Raman micros…The characterisation of lead fatty acid soaps in ‘protrusions’ in aged traditional oil paint (2003)The characterisation of lead …A GC-MS study on the deterioration of lipidic paint binders (2002)A GC-MS study on the deterior…Raman spectroscopy as a means for the identification of plattnerite (PbO2), of lead pigments and of their degradation products (2001)Raman spectroscopy as a means…Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Library of FT-Raman spectra o…The Gas Chromatographic Examination of Paint Media. Part 1. Fatty Acid Composition and Identification of Dried Oil Films (1966)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)The Characterization of Metal Soaps (2003)Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art (2014)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)The Organic Chemistry of Museum Objects (1987)The Organic Chemistry of Museum Objects (1988)Studies and Developments concerning the Problem of Altered Lead Pigments in Wall Painting (1990)Quantification of Raman Spectra for the Primary Atmospheric Corrosion Products of Lead (1995)Raman microscopy in archaeological science (2004)On-line FT-Raman and dispersive Raman spectra database of artists’ materials (e-VISART database) (2005)FTIR Studies of the Effects of Pigments on the Aging of Oil (2005)New Insights into the Ageing of Linseed Oil Paint Binder: A Qualitative and Quantitative Analytical Study (2012)Investigating the Photocatalytic Degradation of Oil Paint using ATR-IR and AFM-IR (2017)The concentration and origins of carboxylic acid groups in oil paint (2019)National Gallery Technical Bulletin (1979)Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods (2016)A Critical Review on the Analysis of Metal Soaps in Oil Paintings (2021)Pigments—Lead-based whites, reds, yellows and oranges and their alteration phases (2021)Applications of synchrotron-based micro-imaging techniques to the chemical analysis of ancient paintings (2008)Characterization of a Degraded Cadmium Yellow (CdS) Pigment in an Oil Painting by Means of Synchrotron Radiation Based X-ray Techniques (2009)Development and trends in synchrotron studies of ancient and historical materials (2012)Mobile depth profiling and sub-surface imaging techniques for historical paintings—A review (2013)The ID21 X-ray and infrared microscopy beamline at the ESRF: status and recent applications to artistic materials (2016)Characterisation of proteinaceous binders in artistic paintings by chromatographic techniques (2004)Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)Analytical chemistry in the field of cultural heritage (2015)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Analytical pyrolysis of proteins in samples from artistic and archaeological objects (2017)Mid and Near-Infrared Reflection Spectral Database of Natural Organic Materials in the Cultural Heritage Field (2018)
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References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,052 cited
  • 2009Organic Mass Spectrometry in Art and Archaeology317 cited
  • 2001Raman spectroscopy as a means for the identification of plattnerite (PbO2), of lead pigments and of their degradation products289 cited
  • 2008Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films216 cited
  • 2010Analytical Strategies for Characterizing Organic Paint Media Using Gas Chromatography/Mass Spectrometry191 cited
  • 2011Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 1. Artificially Aged Model Samples142 cited
  • 2016The drying of linseed oil investigated by Fourier transform infrared spectroscopy: Historical recipes and influence of lead compounds134 cited
  • 2003The characterisation of lead fatty acid soaps in ‘protrusions’ in aged traditional oil paint121 cited
  • 2016Lead soaps in paintings: Friends or foes?119 cited
  • 2002A GC-MS study on the deterioration of lipidic paint binders106 cited
  • 2019Non-invasive identification of paint binders in illuminated manuscripts by ER-FTIR spectroscopy: a systematic study of the influence of different pigments on the binders’ characteristic spectral features105 cited
  • 2007Pigment study by Raman microscopy of 23 paintings by the Portuguese artist Henrique Pousão (1859–1884)105 cited

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  • 2014Issues in Contemporary Oil Paint99 cited
  • 2014Raman study of different crystalline forms of PbCrO4 and PbCr1−xSxO4 solid solutions for the noninvasive identification of chrome yellows in paintings: a focus on works by Vincent van Gogh78 cited
  • 2018Scientific investigation into the water sensitivity of twentieth century oil paints71 cited
  • 2019On the influence of relative humidity on the oxidation and hydrolysis of fresh and aged oil paints70 cited
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