Preliminary Identification of African-Style Rouletted Colonoware in the Colonial South Carolina Lowcountry

Abstract

Colonoware, a low-fired earthenware made by enslaved Africans, African Americans, and Native Americans, is a crucial source for exploring the formation and materialization of colonial identities. Yet, the origins and ethnic associations of this enigmatic colonial potting tradition have long been debated. Recent ethnographic studies of African ceramic traditions have led to our reexamination of a surface treatment lately identified on colonoware vessels in South Carolina. Our analysis focuses on colonoware sherds from two eighteenth-century sites in Charleston as well as an additional unprovenienced vessel from the Horry County Museum. Through experimental replication and cross-regional comparison, this paper argues that the application of “folded strip rouletting” on colonoware in South Carolina is related to contemporaneous decorative techniques practiced in West and northern Central Africa. The sherds analyzed in this article thus represent the first clear published example of a decorative African potting technique identified in the colonial United States.

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