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Cited by

• 2010Locating Migrant and Diasporic Cinema in Contemporary Europe57 cited
• 2010Évolution du verlan, marqueur social et identitaire, dans les films: La Haine (1995) et L’Esquive (2004)39 cited
• 2011The eighteenth-century novel33 cited
• 2011History and fiction: the narrativity and historiography of the matter of Troy21 cited
• 2011Coming Outà l'oriental: Maghrebi-French Performances of Gender, Sexuality, and Religion20 cited
• 2019Popular postcolonial masculinities: gangsters and soldiers in Maghrebi-French cinema18 cited
• 2010Migration and Cinematic Process in Post-Cold War Europe16 cited
• 2007Locating the Postcolonial in Transnational Cinema: The Place of Algerian Émigré Directors in Contemporary French Film16 cited
• 2010The Dark Side of Hybridity: Contemporary Black and Asian British Cinema13 cited
• 2021Postcolonial Geopolitics: Reading Contemporary Geopolitics in Maghrebi-French War Films10 cited
• 2010Female bodies in Paris: iconic urban femininity and Parisian journeys8 cited
• 2009Être et parler : Being and speaking French in Abdellatif Kechiche's L'Esquive (2004) and Laurent Cantet's Entre les murs (2008)7 cited
• 2013Film, national cinema, and migration7 cited
• 2013Variations of an Archetypal Scene: The Paris Métro Confrontation in Michael Haneke's Code Unknown