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A Heterodox Re-Reading of Creative Work: The Diverse Economies of Danish Visual Artists
16 references·6 citing·39 second hop
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References

  • 2011The Precariat2,012 cited
  • 2008Diverse economies: performative practices for `other worlds'1,730 cited
  • 2009The Economics of Superstars1,684 cited
  • 1996The Winner-Take-All Society1,165 cited
  • 2010Take Back the Economy614 cited
  • 2005Constructing an artistic identity288 cited
  • 2003British Fashion Design276 cited
  • 2013Looking Back, Looking Forward: Arts-Based Careers and Creative Work231 cited
  • 2011Multiple job-holding and artistic careers: some empirical evidence228 cited
  • 2016Mixed Method Design210 cited
  • 2005Shifting Boundaries and Interconnections: Extending the ‘Total Social Organisation of Labour’192 cited
  • 2013All work and no pay: consequences of unpaid work in the creative industries174 cited
  • 2006Chapter 22 Artistic Labor Markets: Contingent Work, Excess Supply and Occupational Risk Management171 cited
  • 1994A Work-Preference Model of Artist Behaviour159 cited
  • 2003Don't give up your day job : an economic study of professional artists in Australia145 cited
  • 2018Informal creative labour practices: A relational work perspective

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137 cited

Cited by

  • 2021Who is an artist? Heterogeneity and professionalism among visual artists26 cited
  • 2022Who is an Artist? Heterogeneity and Professionalism Among Visual Artists24 cited
  • 2022‘Covid-19 opened the pandora box’ of the creative city: creative and cultural workers against precarity in Milan19 cited
  • 2025Precarity and second job-holding in the creative economy4 cited
  • 2025Speculative labour: The financialized imagination of creative work and the assetization of digital art through non-fungible tokens (NFTs)4 cited
  • 2022Income changes for Norwegian artists during the pandemic4 cited