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Scent in the Context of Live Performance
16 references·2 citing·31 second hop
Scent in the Context of Live Performance (2021)Scent in the Context of Live PerformanceUsing Ambient Scent to Enhance Well-Being in the Multisensory Built Environment (2020)Using Ambient Scent to Enhanc…Senses of place: architectural design for the multisensory mind (2020)Senses of place: architectura…Why Is There So Much More Research on Vision Than on Any Other Sensory Modality? (2019)Why Is There So Much More Res…The Multisensory Museum: Cross-Disciplinary Perspectives on Touch, Sound, Smell, Memory, and Space (2017)The Multisensory Museum: Cros…Smell and the ancient senses (2015)Smell and the ancient sensesSynaesthesia and the Ancient Senses (2014)Synaesthesia and the Ancient …Odors are expressible in language, as long as you speak the right language (2014)Odors are expressible in lang…Follow Your Nose? Smell, Smelling, and Their Histories (2011)Follow Your Nose? Smell, Smel…Naturalism and Symbolism in European Theatre 1850-1918 (2009)Naturalism and Symbolism in E…Producing Sense, Comsuming Sense, Making Sense: Perils and Prospects for Sensory History (2007)Producing Sense, Comsuming Se…Sensorium : embodied experience, technology, and contemporary art (2006)Sensorium : embodied experien…The Liturgy of the Medieval Church (2005)The Liturgy of the Medieval C…Playgoing in Shakespeare's London (2005)Playgoing in Shakespeare's Lo…Before Orientalism: London's Theatre of the East 1576-1626 (2004)Before Orientalism: London's …Constructions of the classical body (2000)Constructions of the classica…The Foul and the Fragrant: Odor and the French Social Imagination (1988)The Foul and the Fragrant: Od…Scent in Motion: On the Multiple Uses of Ambient Scent in the Context of Passenger Transport (2021)Scent in Motion: On the Multi…Review of the Potential of Consumer Neuroscience for Aroma Marketing and Its Importance in Various Segments of Services (2021)Review of the Potential of Co…Basic color terms: their universality and evolution. By Brent Berlin and Paul Kay. Berkeley & Los Angeles: University of California Press, 1969. Pp. xi, 178. $8.50. (1973)The weirdest people in the world? (2010)WEIRD languages have misled us, too [Comment on Henrich et al.] (2010)Revisiting the limits of language: The odor lexicon of Maniq (2014)Differential coding of perception in the world’s languages (2018)Words as social tools: Language, sociality and inner grounding in abstract concepts (2018)The Matthew Effect in Science (1968)The Matthew effect in science. The reward and communication systems of science are considered. (1968)Construal-level theory of psychological distance. (2010)What you see is what you hear: Twenty years of research using the Sound-Induced Flash Illusion (2020)An approach to environmental psychology (1974)Phenomenology of Perception (1982)The Modularity of Mind (1983)Association between perceived indoor environmental characteristics and occupants' mental well-being, cognitive performance, productivity, satisfaction in workplaces: A systematic review (2023)An anthropologist underwater: Immersive soundscapes, submarine cyborgs, and transductive ethnography (2007)Haptic geographies: ethnography, haptic knowledges and sensuous dispositions (2009)The Mortal Voice in the Tragedies of Aeschylus (2017)Tragic Pleasure from Homer to Plato (2017)The Routledge Handbook of Classics and Cognitive Theory (2018)The Sultan Speaks (2006)Traveling Companions: Women, Trade, and the Early East India Company (2015)Making the Land Known:Henry IV, Parts 1 and 2and the Literature of Perambulation (2018)Embodiment as a Paradigm for Anthropology (1990)How to Talk About the Body? the Normative Dimension of Science Studies (2004)Rethinking urban metabolism: water, space and the modern city (2004)Immersive Digital Tourism: The Role of Multisensory Cues in Digital Museum Experiences (2021)A review of the effects of architectural stimuli on human psychology and physiology (2022)Choral Constructions in Greek Culture (2021)Manuscript transmission and circulation (2003)Marlowe and the Elizabethan theatre audience (2013)Shakespeare's Domestic Tragedies (2019)
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References

  • 2014Odors are expressible in language, as long as you speak the right language551 cited
  • 1988The Foul and the Fragrant: Odor and the French Social Imagination455 cited
  • 2020Senses of place: architectural design for the multisensory mind385 cited
  • 2019Why Is There So Much More Research on Vision Than on Any Other Sensory Modality?368 cited
  • 2014Synaesthesia and the Ancient Senses273 cited
  • 2006Sensorium : embodied experience, technology, and contemporary art234 cited
  • 2015Smell and the ancient senses184 cited
  • 2017The Multisensory Museum: Cross-Disciplinary Perspectives on Touch, Sound, Smell, Memory, and Space160 cited
  • 2005Playgoing in Shakespeare's London154 cited
  • 2004Before Orientalism: London's Theatre of the East 1576-1626147 cited
  • 2020Using Ambient Scent to Enhance Well-Being in the Multisensory Built Environment128 cited
  • 2005The Liturgy of the Medieval Church124 cited
  • 2000Constructions of the classical body118 cited
  • 2007Producing Sense, Comsuming Sense, Making Sense: Perils and Prospects for Sensory History91 cited
  • 2011Follow Your Nose? Smell, Smelling, and Their Histories90 cited

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  • 2009Naturalism and Symbolism in European Theatre 1850-191889 cited
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    • 2021Scent in Motion: On the Multiple Uses of Ambient Scent in the Context of Passenger Transport31 cited
    • 2021Review of the Potential of Consumer Neuroscience for Aroma Marketing and Its Importance in Various Segments of Services23 cited