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Encontrarnos en la performance
16 references·0 citing·29 second hop
Encontrarnos en la performance (2020)Encontrarnos en la performanceThe Expressive Moment: How Interaction (with Music) Shapes Human Empowerment (2016)The Expressive Moment: How In…For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn (2010)For a Relational Musicology: …The meaning of the body: aesthetics of human understanding (2008)The meaning of the body: aest…Group creativity: musical performance and collaboration (2006)Group creativity: musical per…Participants Don’t Need Theories (2004)Participants Don’t Need Theor…The Cultural study of music: a critical introduction (2003)The Cultural study of music: …Improvisation: methods and models (2001)Improvisation: methods and mo…Ontologies of Music (1999)Ontologies of MusicAnalysing Performance and Performing Analysis (1999)Analysing Performance and Per…Saying something: jazz improvisation and interaction (1997)Saying something: jazz improv…Thinking in Jazz: The Infinite Art of Improvisation (1995)Thinking in Jazz: The Infinit…Thinking in Jazz (1994)Thinking in JazzThe imaginary museum of musical works: an essay in the philosophy of music (1993)The imaginary museum of music…The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)The Imaginary Museum of Music…Musicology as a Political Act (1993)Musicology as a Political ActKnowledge of Language: Its Nature, Origin, and Use. (1988)Knowledge of Language: Its Na…Flow: the psychology of optimal experience (1990)Situated Learning (1991)Situated Learning: Legitimate Peripheral Participation. (1994)Educating for innovation (2006)Combining creativity and control: Understanding individual motivation in large-scale collaborative creativity (2011)The neurochemistry and social flow of singing: bonding and oxytocin (2015)The Input Hypothesis: Issues and Implications (1985)The Role of Consciousness in Second Language Learning1 (1990)Verb Movement, Universal Grammar, and the Structure of IP, 1989 (2013)From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Actor-Networks in Music History: Clarifications and Critiques (2014)Organizational Improvisation and Organizational Memory (1998)The Convergence of Planning and Execution: Improvisation in New Product Development (1998)The “Third Hand”: IT-Enabled Competitive Advantage in Turbulence Through Improvisational Capabilities (2010)Organizational Improvisation and Learning: A Field Study (2001)Improvising firms: bricolage, account giving and improvisational competencies in the founding process (2003)Place attachment: How far have we come in the last 40 years? (2010)The psychiatric interview: validity, structure, and subjectivity (2012)STEAM by another name: Transdisciplinary practice in art and design education (2017)What Makes an Audience? Investigating the Roles and Experiences of Listeners at a Chamber Music Festival (2005)Put to the test: For a new sociology of testing (2020)The End of Early Music (2007)I Did It My Way: Rock and the Logic of Covers (2010)The Oxford Handbook of The American Musical (2011)Modes of communication during jazz improvisation (2005)Making News at The New York Times (2014)Dead Geographies—And How to Make Them Live (2000)Music and the materialization of identities (2011)
this work references cited by second hop

References

  • 1988Knowledge of Language: Its Nature, Origin, and Use.4,648 cited
  • 1994Thinking in Jazz1,018 cited
  • 1997Saying something: jazz improvisation and interaction788 cited
  • 2008The meaning of the body: aesthetics of human understanding651 cited
  • 2003The Cultural study of music: a critical introduction609 cited
  • 1993The imaginary museum of musical works: an essay in the philosophy of music598 cited
  • 1993The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music527 cited
  • 2006Group creativity: musical performance and collaboration374 cited
  • 2001Improvisation: methods and models342 cited
  • 1995Thinking in Jazz: The Infinite Art of Improvisation291 cited
  • 2010For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn287 cited
  • 1993Musicology as a Political Act138 cited
  • 2016The Expressive Moment: How Interaction (with Music) Shapes Human Empowerment127 cited
  • 1999Analysing Performance and Performing Analysis121 cited
  • 2004Participants Don’t Need Theories118 cited
  • 1999Ontologies of Music

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