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Palestine Is Not a Drawing Board: Defacing the Street Art on the Israeli Separation Wall
16 references·1 citing·34 second hop
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References

  • 1967Purity and Danger: An Analysis of Concepts of Pollution and Taboo5,752 cited
  • 1992The Gift: The Form and Reason for Exchange in Archaic Societies.4,842 cited
  • 1969Purity and Danger: An Analysis of Concepts of Pollution and Taboo2,010 cited
  • 2008Hollow Land: Israel's Architecture of Occupation1,156 cited
  • 1999Defacement1,076 cited
  • 1999Defacement: Public Secrecy and the Labor of the Negative551 cited
  • 2002Facts on the Ground386 cited
  • 2001Border Fetishisms: Material Objects in Unstable Spaces345 cited
  • 1996The Writing on the Walls: The Graffiti of the Intifada171 cited
  • 2019“Deplorable” Satire: Alt-Right Memes, White Genocide Tweets, and Redpilling Normies159 cited
  • 1997Tournaments of value: sociability and hierarchy in a Yemeni town65 cited
  • 2014Cracks and Contestation: Toward an Ecology of Graffiti and Abatement54 cited
  • 2014Cultures of Resistance in Palestine and Beyond: On the Politics of Art, Aesthetics, and Affect43 cited
  • 2016Incidental Activism: Graffiti and Political Possibility in Athens, Greece39 cited
  • 2015‘This is not a Banksy!’: street art as aesthetic protest33 cited

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2014
Jerusalem's Separation Wall and Global Message Board: Graffiti, Murals and the art of Sumud
30 cited

Cited by

  • 2023Resisting subjugation: Palestinian graffiti on the Israeli apartheid wall6 cited