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Afterword: The Expense of Exclusion – US Musicology and Popular Music
8 references·0 citing·26 second hop
Afterword: The Expense of Exclusion – US Musicology and Popular Music (2020)Afterword: The Expense of Exclusion – US …DeFord Bailey in Country Music's Multiracial Canon (2020)DeFord Bailey in Country Musi…Currents and Contradictions in the Ethnomusicology of Popular Music (2019)Currents and Contradictions i…Analyzing Gospel (2019)Analyzing GospelCapturing Sound (2010)Capturing SoundCapturing sound: how technology has changed music (2005)Capturing sound: how technolo…Who Hears Here? Black Music, Critical Bias, and the Musicological Skin Trade (2001)Who Hears Here? Black Music, …Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Black Noise: Rap Music and Bl…Black noise: rap music and black culture in contemporary America (1994)Black noise: rap music and bl…All that is solid melts into air : the experience of modernity (1995)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Musicking: The Meanings of Performing and Listening (2000)What Are We Seeking to Sustain Through Culturally Sustaining Pedagogy? A Loving Critique Forward (2014)Changing Highbrow Taste: From Snob to Omnivore (1996)Domination and the Arts of Resistance (2017)The Wages of Whiteness (2017)(Ac)cumulative Form in Pop-Rock Music (2004)Subverting the Verse–Chorus Paradigm (2013)Elevating form and elevating modulation (2014)Chance the Rapper, Spotify, and Musical Categorization in the 2010s (2020)Compound AABA Form and Style Distinction in Heavy Metal (2021)Healing for the Soul: Richard Smallwood, the Vamp, and the Gospel Imagination (2024)The class and colour of tone: An essay on the social history of vocal timbre (2004)The Pot Liquor Principle: Developing a Black Music Criticism in American Music Studies (2004)Loving Music Till It Hurts (2019)Soundscapes: Toward a Sounded Anthropology (2010)When materiality ‘bites back’: Digital music consumption practices in the age of dematerialization (2011)Beyond Unwanted Sound (2017)Ethnography in Western Popular Music Research Revisited (2021)What Makes Popular Culture Popular? Product Features and Optimal Differentiation in Music (2017)What the digitalisation of music tells us about capitalism, culture and the power of the information technology sector (2017)Music as a Technology of Surveillance (2018)The Whiteness of Nerds: Superstandard English and Racial Markedness (2001)White Means Never Having to Say You're Ethnic (2001)Global Englishes, Rip Slyme, and performativity (2003)
this work references cited by second hop

References

  • 1995Black Noise: Rap Music and Black Culture in Contemporary America.1,446 cited
  • 1994Black noise: rap music and black culture in contemporary America900 cited
  • 2005Capturing sound: how technology has changed music835 cited
  • 2010Capturing Sound298 cited
  • 2019Analyzing Gospel53 cited
  • 2001Who Hears Here? Black Music, Critical Bias, and the Musicological Skin Trade51 cited
  • 2020DeFord Bailey in Country Music's Multiracial Canon4 cited
  • 2019Currents and Contradictions in the Ethnomusicology of Popular Music4 cited

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