The Reflection of Patterns and Clothing Forms of Various Cultures on Contemporary Clothing Design; The Peruvian Example

Abstract

Hand woven fabrics and the patterns that they bear, are important examples of cultural heritage; reflecting the culture, customs and traditions of the communities, and the thoughts and emotions of the weaver. Peru, on account of the traditional woven fabrics, the colors used and the patterns with their unique language and meaning, has an esteemed stance in the history of woven and knitted fabrics. These woven fabrics, reflecting a strong national cultural identity; echo economic, social, political and religious developments. Establishing the continuity of the handicrafts; which exemplify the expression of economic, social and artistic transformation and are passed on through past and future generations; is possible by supporting knowledge by protecting, developing and sharing it. In this article, the manner of how traditional patterns and colors from different cultures affect current forms of garments are examined. In addition to this, along with a different perspective, novel clothing designs have been made based on the patterns and clothing forms present in Peruvian culture. Regarding the work within the scope of the study, the inspirational characteristic features of the traditional forms have been intended to be preserved, but the raw materials used, the techniques, colors and elements that make up the clothing design have been altered within the framework of aesthetic cognition. The designs have been attempted to be made universal, keeping in mind the memorability of pattern oriented consciousness.

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