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A “Proto-Theme” in Some of J. S. Bach’s Fugal Works
10 references·1 citing·30 second hop
A “Proto-Theme” in Some of J. S. Bach’s Fugal Works (2020)A “Proto-Theme” in Some of J. S. Bach’s F…Expanding the Sentence: Intersections of Theory, History, and Aesthetics (2015)Expanding the Sentence: Inter…The keyboard music (2003)The keyboard musicTheories of fugue from the age of Josquin to the age of Bach (2001)Theories of fugue from the ag…Classical Form (1998)Classical FormClassical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Classical form : a theory of …Bach and the patterns of invention (1997)Bach and the patterns of inve…Analyzing Fugue: A Schenkerian Approach (1996)Analyzing Fugue: A Schenkeria…Ernst Kurth: Selected Writings (1991)Ernst Kurth: Selected WritingsThe Organ Music of J. S. Bach (1984)The Organ Music of J. S. BachIntroduction to Schenkerian Analysis (1984)Introduction to Schenkerian A…Tonality (2023)TonalityPraecepta der musicalischen Composition (1955)Geschichte des Orgelspiels und der Orgelkomposition (1960)Some Thoughts on Bach's Neumeister Chorales (1993)The Chromatic Fourth During Four Centuries of Music (1998)Bach and the Chaconne (1999)Daniel Vetter and the domestic keyboard chorale in Bach's Leipzig (2005)Philosophical Investigations (1954)Religion and the Decline of Magic (2017)Lyricist as Analyst: Rhyme Scheme as Music-Setting in the Great American Songbook (2023)Principles of Categorization (2024)Tonality and Racism (2024)Transformations for the Twenty-First Century (2025)Energetics (2002)Virtuosity and the Musical Work (2003)Uncanny Resemblances: Tonal Signification in the Freudian Age (2004)Tonal organization in seventeenth-century music theory (2002)“That Damned Mob of Scribbling Women” (2015)The Cambridge History of Latin American Women's Literature (2015)Music Theory, Phenomenology, and Modes of Perception (1986)Chromatic Transformations in Nineteenth-Century Music (2002)Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg (2011)Formfunktionen der Sonatenform. Ein Beitrag zur Sonatentheorie auf der Grundlage einer Kritik an William E. Caplins Verständnis von Formfunktionen (2018)Schoenberg’s Sentence (2018)The Cambridge Haydn Encyclopedia (2019)The Classical Cadence: Conceptions and Misconceptions (2004)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Towards a generative syntax of tonal harmony (2011)Playing with history: the historical approach to musical performance (2003)Bach's Dialogue with Modernity (2010)Musical Creativity in Restoration England (2013)
this work references cited by second hop

References

  • 1998Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven699 cited
  • 1998Classical Form533 cited
  • 1997Bach and the patterns of invention143 cited
  • 1984Introduction to Schenkerian Analysis130 cited
  • 2001Theories of fugue from the age of Josquin to the age of Bach95 cited
  • 1991Ernst Kurth: Selected Writings88 cited
  • 1984The Organ Music of J. S. Bach82 cited
  • 2015Expanding the Sentence: Intersections of Theory, History, and Aesthetics32 cited
  • 2003The keyboard music27 cited
  • 1996Analyzing Fugue: A Schenkerian Approach22 cited

Cited by

  • 2023Tonality37 cited

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