SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Mapping Ravel’s “La vallée des cloches”
16 references·0 citing·30 second hop
Mapping Ravel’s “La vallée des cloches” (2020)Mapping Ravel’s “La vallée des cloches”On Repeat (2013)On RepeatMusic and Ultra-Modernism in France: A Fragile Consensus, 1913-1939 (2013)Music and Ultra-Modernism in …Ravel the decadent: memory, sublimation, and desire (2012)Ravel the decadent: memory, s…Irony and Sound: The Music of Maurice Ravel (2009)Irony and Sound: The Music of…Musical Form and Transformation (2007)Musical Form and Transformati…Dandy, Interrupted: Sublimation, Repression, and Self-Portraiture in Maurice Ravel's Daphnis et Chloé (1909–1912) (2007)Dandy, Interrupted: Sublimati…Chopin in Performance: Perahia's Musical Dialogue (2001)Chopin in Performance: Perahi…Outside Ravel's Tomb (1999)Outside Ravel's TombThe Soundscape: Our Sonic Environment and the Tuning of the World (1993)The Soundscape: Our Sonic Env…The Mind behind the Musical Ear: How Children Develop Musical Intelligence (1993)The Mind behind the Musical E…Musical form and Transformation: Four Analytic Essays (1993)Musical form and Transformati…The time of music: new meanings, new temporalities, new listening strategies (1989)The time of music: new meanin…On the Relation of Analysis to Performance: Beethoven's "Bagatelles" Op. 126, Nos. 2 and 5 (1985)On the Relation of Analysis t…Ravel: Man and Musician (1977)Ravel: Man and MusicianMusical Form and Musical Performance (1971)Musical Form and Musical Perf…Musical Form and Musical Performance (1969)Musical Form and Musical Perf…Aesthetics: Lectures on Fine Art (1835)Discourse Networks, 1800/1900 (1990)Virtuosity and the Musical Work: The Transcendental Studies of Liszt (2003)The Work of Art in the Age of Mechanical Reproduction (2007)The Music of the Living-Dead (2015)Air Flows: Breath, Voice, and Authenticity in Three Recordings (2016)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Soundscapes: Toward a Sounded Anthropology (2010)Beyond Representation and Signification: Toward a Sonic Materialism (2011)From a Categorical Point of View: K-Nets as Limit Denotators (2006)A Transformational Space for Elliott Carter’s Recent Complement-Union Music (2009)Music Theory’s Therapeutic Imperative and the Tyranny of the Normal (2021)Musical Performance as Interpretation (1995)Fantasy Pieces (1999)From Policy “Frames” to “Framing” (2014)Work Structure and Musical Representation: Reflections on Adorno's Analyses for Interpretation1 (2007)Musical Forces and Melodic Patterns (2016)Beat-Class Modulation in Steve Reich's Music (2003)Journal of Religion & Society (2011)The Effect of Music Training on Preschoolers' Spatial-Temporal Task Performance (1998)The Scientific Study of Expert Levels of Performance: general implications for optimal learning and creativity 1 (1998)A synthesis process model of creative thinking in music composition (2005)Schubert's Sonata Form and Brahms's First Maturity (II) (1979)The Dramatization of Hypermetric Conflicts in the Scherzo of Beethoven's Ninth Symphony (1992)Film Music Themes (2016)Individual differences in mental imagery in different modalities and levels of intentionality (2021)Segmentation, Phrasing, and Meter in Hip-Hop Music (2021)The Cambridge Companion to French Music (2015)The Renaissance (2015)Writing about Popular Music (2019)
this work references cited by second hop

References

  • 1993The Soundscape: Our Sonic Environment and the Tuning of the World2,494 cited
  • 1989The time of music: new meanings, new temporalities, new listening strategies412 cited
  • 1969Musical Form and Musical Performance314 cited
  • 1971Musical Form and Musical Performance174 cited
  • 1993The Mind behind the Musical Ear: How Children Develop Musical Intelligence157 cited
  • 2013On Repeat150 cited
  • 1985On the Relation of Analysis to Performance: Beethoven's "Bagatelles" Op. 126, Nos. 2 and 5124 cited
  • 2013Music and Ultra-Modernism in France: A Fragile Consensus, 1913-193975 cited
  • 1993Musical form and Transformation: Four Analytic Essays54 cited
  • 1999Outside Ravel's Tomb54 cited
  • 2012Ravel the decadent: memory, sublimation, and desire51 cited
  • 2007Musical Form and Transformation45 cited
  • 2009Irony and Sound: The Music of Maurice Ravel37 cited
  • 2007Dandy, Interrupted: Sublimation, Repression, and Self-Portraiture in Maurice Ravel's Daphnis et Chloé (1909–1912)27 cited
  • 1977Ravel: Man and Musician27 cited
  • 2001Chopin in Performance: Perahia's Musical Dialogue

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

25 cited

Cited by

No citing works inside the corpus for this window.