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Tawny fronts: Colonial whiteness, Orientalism and representations of Cleopatra on the Australian stage
11 references·0 citing·31 second hop
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References

  • 2002Toward a Topography of Cross-Cultural Theatre Praxis163 cited
  • 1999Expulsion, exodus and exile in white Australian historical mythology117 cited
  • 2005The War on Terror, Feminist Orientalism and Orientalist Feminism: Case Studies of Two North American Bestsellers74 cited
  • 2000Fashion orientalism and the limits of counter culture21 cited
  • 2020Cultural appropriation: Yours, mine, theirs or a new intercultural?17 cited
  • 2018No ‘Thing to Wear’: A Brief History of Kimono and Inappropriation from Japonisme to Kimono Protests8 cited
  • 2011‘Her Infinite Variety’: Representations of Shakespeare’s Cleopatra in fashion, film and theatre7 cited
  • 1993Orientalism in Early Australian Theatre6 cited
  • 2020‘Pakis from Outer Space’: Oriental postmodernity in Leigh Bowery’s performative costuming5 cited
  • 1999A fashionable production: Advertising and consumer culture on the Australian stage4 cited
  • 2006Australia's Lily Brayton: Performer and Theatre Artist2 cited

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