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This article studies selfie-production as a socio-technological affective practice, bringing attention to a new and largely unstudied type of selfies, private selfies. Discussing an example of five Finnish women’s experiences with a body positive #righttobeseen campaign, the article argues for selfie scholarship to move beyond analyses of representation and image-sharing on social media platforms, if it is to understand selfies’ diverse role in selfie-takers’ lives. The article offers an analytical schema for studying selfies as socio-technological affective practices, combining the method of interview studies with affect theory and examination of selfies’ socio-technological underpinnings.
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Stored only when both papers are in the corpus — 11 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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