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Half‐Diminished Seventh Chords and Their Contexts
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References

  • 1998Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition249 cited
  • 2012A geometry of music: harmony and counterpoint in the extended common practice204 cited
  • 1993Compositional theory in the eighteenth century158 cited
  • 2003Uniformity, Balance, and Smoothness in Atonal Voice Leading131 cited
  • 1998Moving beyond Neo-Riemannian Triads: Exploring a Transformational Model for Seventh Chords115 cited
  • 1999Harmonic Practice in Tonal Music101 cited
  • 1987Generalized Musical Intervals and Transformations79 cited
  • 1995Supplement to the Theory of Augmented-Sixth Chords72 cited
  • 2012The Generalized Tonnetz64 cited
  • 1998Voice-Leading Spaces63 cited
  • 1998Some Ideas about Voice-Leading between PCSets60 cited
  • 2005Voice Leading in Set-Class Space55 cited
  • 2007Enharmonic Position Finding and the Resolution of Seventh Chords in Chromatic Music48 cited
  • 2009The Tristan Chord Resolved39 cited
  • 2001Half-Diminished Functions and Transformations in Late Romantic Music38 cited
  • 2017Towards a Harmonic Grammar of Grieg's Late Piano Music

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