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A study of variability in raga motifs in performance contexts
16 references·0 citing·33 second hop
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References

  • 1974THOUGHTS ON IMPROVISATION: A COMPARATIVE APPROACH216 cited
  • 1999In the Course of Performance: Studies in the World of Musical Improvisation202 cited
  • 2001Time in Indian music : rhythm, metre, and form in North Indian rāg performance64 cited
  • 1980Hindustani Music in the 20th Century55 cited
  • 1990Music in India: The Classical Traditions51 cited
  • 1994Involving the Performers in Transcription and Analysis: A Collaborative Approach to Dhrupad50 cited
  • 2008Time in Indian Music40 cited
  • 1981Music in India: The Classical Traditions40 cited
  • 1968The Ragas of Northern Indian music38 cited
  • 2013Schemas and improvisation in Indian music30 cited
  • 2011Dynamics of Melodic Discourse in Indian Music29 cited
  • 2006Improvisation in Iranian and Indian music21 cited
  • 2006Hindustani music: a tradition in transition18 cited
  • 2007The Grammar of Carnatic Music17 cited
  • 2000The Raga Guide. A Survey of 74 Hindustani Ragas14 cited
  • 2011Modeling Speed Doubling in Carnatic Music8 cited

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