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La formación de los directores de fotografía de cine en España (2001-2016)
13 references·0 citing·16 second hop
La formación de los directores de fotografía de cine en España (2001-2016) (2021)La formación de los directores de fotogra…Cinematographers’ skilled vision and aesthetic praxis (2018)Cinematographers’ skilled vis…Cinematography Theory and Practice (2016)Cinematography Theory and Pra…A hidden history of film style: cinematographers, directors, and the collaborative process (2015)A hidden history of film styl…A Hidden History of Film Style (2015)A Hidden History of Film StyleHands-on Manual for Cinematographers (2014)Hands-on Manual for Cinematog…The Education of the Filmmaker in Europe, Australia, and Asia (2013)The Education of the Filmmake…Theory, Practice, and the Significance of Film Schools (2010)Theory, Practice, and the Sig…Cinematography and camera crew: practice, process and procedure (2010)Cinematography and camera cre…Cinema teaching in Spain. A historical perspective and a contemporary view (2007)Cinema teaching in Spain. A h…La "escuela de Barcelona" (1999)La "escuela de Barcelona"La production cinématographique des frères Lumière (1996)La production cinématographiq…The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde (1990)The Cinema of Attractions Ear…Directores de fotografía del cine español (1989)Directores de fotografía del …Film Schools as Pre-Industry: Fostering Creative Collaboration and Equity in Media Production Programs (2019)Exploring the aspirations of young people to work in the British film industry through comparative focus groups in London secondary schools (2020)Approaches to gender diversity behind the camera in Australian student screen productions (2022)Analyzing Stylistic Patterning in Film to Establish the Cinematographer as a Coauthor (2017)Estructuralismo de Propp en los periodistas héroes y villanos del cine español (2021)The Cinema of Attractions Reloaded (2006)Show sold separately: promos, spoilers, and other media paratexts (2010)Aesthetics as Philosophy of Perception (2016)The Mitchell and Kenyon Collection: Rewriting Film History (2003)Up-to-Date Magic: Theatrical Conjuring and the Trick Film (2006)Deserted histories: The Lumière Brothers, the pyramids and early film form (2008)Learning by watching, doing and ‘having a chat’: developing conceptual knowledge in the UK film & TV industry (2018)Re-visioning screen production education through the lens of creative practice: an Australian film school example (2018)Framing Attention in Japanese and American Comics: Cross-Cultural Differences in Attentional Structure (2012)Iconography for the Age of Social Media (2018)The Context of Vertical Filmmaking Literature (2021)
this work references cited by second hop

References

  • 1990The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde1,285 cited
  • 2016Cinematography Theory and Practice78 cited
  • 2013The Education of the Filmmaker in Europe, Australia, and Asia19 cited
  • 1996La production cinématographique des frères Lumière19 cited
  • 1999La "escuela de Barcelona"13 cited
  • 2010Theory, Practice, and the Significance of Film Schools12 cited
  • 2015A Hidden History of Film Style10 cited
  • 2015A hidden history of film style: cinematographers, directors, and the collaborative process9 cited
  • 2007Cinema teaching in Spain. A historical perspective and a contemporary view8 cited
  • 1989Directores de fotografía del cine español8 cited
  • 2014Hands-on Manual for Cinematographers6 cited
  • 2018Cinematographers’ skilled vision and aesthetic praxis5 cited
  • 2010Cinematography and camera crew: practice, process and procedure5 cited

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