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Micro-Raman spectroscopy and complementary techniques applied for the analysis of rock art paintings at the archaeological locality La Angostura, lower valley of Chubut River (Patagonia, Argentina)
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Micro-Raman spectroscopy and complementary techniques applied for the analysis of rock art paintings at the archaeological locality La Angostura, lower valley of Chubut River (Patagonia, Argentina) (2021)Micro-Raman spectroscopy and complementar…Obsidian sources and distribution in Patagonia, southernmost South America (2017)Obsidian sources and distribu…Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Raman spectroscopy of mineral…In search of the optimum Raman/IR signatures of potential ingredients used in San/Bushman rock art paint (2013)In search of the optimum Rama…Micro‐Raman spectroscopy of carbon‐based black pigments (2012)Micro‐Raman spectroscopy of c…Spectroscopic, morphological and chemical characterization of historic pigments based on carbon. 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References

  • 2000Infrared Spectroscopy in Conservation Science690 cited
  • 2007Heated goethite and natural hematite: Can Raman spectroscopy be used to differentiate them?445 cited
  • 2000Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece344 cited
  • 2010In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach243 cited
  • 2016Raman spectroscopy of minerals and mineral pigments in archaeometry191 cited
  • 2012Micro‐Raman spectroscopy of carbon‐based black pigments186 cited
  • 2008‘Green earths’: vibrational and elemental characterization of glauconites, celadonites and historical pigments178 cited
  • 2005Earth pigments in painting: characterisation and differentiation by means of FTIR spectroscopy and SEM-EDS microanalysis177 cited
  • 2010The first in situ Raman spectroscopic study of San rock art in South Africa: procedures and preliminary results117 cited
  • 2006Preliminary investigations by Raman microscopy of prehistoric pigments in the wall‐painted cave at Roucadour, Quercy, France113 cited
  • 2011Spectroscopic, morphological and chemical characterization of historic pigments based on carbon. Paths for the identification of an artistic pigment105 cited
  • 2007Raman Spectra of Proteinaceous Materials Used in Paintings: A Multivariate Analytical Approach for Classification and Identification98 cited
  • 2008The first Raman spectroscopic study of San rock art in the Ukhahlamba Drakensberg Park, South Africa

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87 cited
  • 2010On the Use of Overtone and Combination Bands for the Analysis of the CaSO4—H2O System by Mid-Infrared Reflection Spectroscopy82 cited
  • 2017Obsidian sources and distribution in Patagonia, southernmost South America72 cited
  • 2013In search of the optimum Raman/IR signatures of potential ingredients used in San/Bushman rock art paint65 cited
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