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The Conversion of Saint Paul Series at the Courtauld: Rubens's Artistic Process Revealed by New Technical Discoveries
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The Conversion of Saint Paul Series at the Courtauld: Rubens's Artistic Process Revealed by New Technical Discoveries (2021)The Conversion of Saint Paul Series at th…Rubens’s Invention and Evolution: Material Evidence in The Fall of Phaeton (2019)Rubens’s Invention and Evolut…Automatic registration and mosaicking of technical images of Old Master paintings (2015)Automatic registration and mo…Pigment Compendium: A Dictionary of Historical Pigments (2007)Pigment Compendium: A Diction…Rubens portraits of identified sitters painted in Antwerp (1987)Rubens portraits of identifie…The Oil Sketches of Peter Paul Rubens: A Critical Catalogue (1981)The Oil Sketches of Peter Pau…A mobile instrument for in situ scanning macro-XRF investigation of historical paintings (2013)Mapping of egg yolk and animal skin glue paint binders in Early Renaissance paintings using near infrared reflectance imaging spectroscopy (2013)Use of imaging spectroscopy, fiber optic reflectance spectroscopy, and X-ray fluorescence to map and identify pigments in illuminated manuscripts (2014)Integrated X-ray fluorescence and diffuse visible-to-near-infrared reflectance scanner for standoff elemental and molecular spectroscopic imaging of paints and works on paper (2018)Macroscopic x-ray powder diffraction imaging reveals Vermeer’s discriminating use of lead white pigments in Girl with a Pearl Earring (2019)Reflectance imaging spectroscopy in heritage science (2020)Pigment Compendium: Optical Microscopy of Historical Pigments (2013)Experimentation and Innovation in Vermeer’s Girl with the Red Hat: New Findings from the National Gallery of Art (2022)Rubens’s Life of Maria de’ Medici: Dissimulation and the Politics of Art in Early Seventeenth-Century France (2014)Frans Floris (1519/20–1570): Imagining a Northern Renaissance (2018)Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art (2007)Microanalysis of organic pigments and glazes in polychrome works of art by surface-enhanced resonance Raman scattering (2009)In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)Benign familial hypermobility syndrome and Trendelenburg sign in a painting “The Three Graces” by Peter Paul Rubens (1577–1640) (2001)Gems and Counterfeited Gems in Early Modern Antwerp: From Workshops to Collections (2018)
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References

  • 2007Pigment Compendium: A Dictionary of Historical Pigments470 cited
  • 2015Automatic registration and mosaicking of technical images of Old Master paintings66 cited
  • 1981The Oil Sketches of Peter Paul Rubens: A Critical Catalogue20 cited
  • 2019Rubens’s Invention and Evolution: Material Evidence in The Fall of Phaeton9 cited
  • 1987Rubens portraits of identified sitters painted in Antwerp6 cited

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