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Chapter 3. Opera as Symphony, a Wagnerian Myth
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  • 1992Janáček's speech-melody theory in concept and practice15 cited
  • 2013The wish for annihilation in ‘love–death’ as collapse of the need for recognition, in Wagner'sTristan und Isolde7 cited
  • 2012The dramaturgy of opera5 cited
  • 2021Lyric Forms as “Performed” Speech in Das Rheingold and Die Walküre4 cited

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