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Rap and cultural change: Authenticity and hybrid identities in the music of rappers of African descent in Finland
11 references·0 citing·31 second hop
Rap and cultural change: Authenticity and hybrid identities in the music of rappers of African descent in Finland (2021)Rap and cultural change: Authenticity and…Migrant rap in the periphery (2017)Migrant rap in the peripheryIntroduction: Hip-hop as Critical Conscience: Framing Dissatisfaction and Dissent (2017)Introduction: Hip-hop as Crit…“Who’s Afraid of the Dark?”: The Ironic Self-Stereotype of the Ethnic Other in Finnish Rap Music (2017)“Who’s Afraid of the Dark?”: …“Still Alive, Nigga” : Multi-Semiotic Constructions of Self as Other in Finnish Rap Music Videos (2017)“Still Alive, Nigga” : Multi-…Talking Back: Voices from the African Diaspora in Finland (2014)Talking Back: Voices from the…From Appropriation to Translation: Localizing Rap Music to Finland (2013)From Appropriation to Transla…Minority Identity as German Identity in Conscious Rap and Gangsta Rap: Pushing the Margins, Redefining the Center (2011)Minority Identity as German I…Neutraalisti rasistinen? Erään sanan politiikkaa (2007)Neutraalisti rasistinen? Erää…Hip-hop am Main, rappin' on the Tyne: Hip-hop culture as a local construct in two European cities (2004)Hip-hop am Main, rappin' on t…Beat Streets in the Global Hood: Connective Marginalities of the Hip Hop Globe (2001)Beat Streets in the Global Ho…Becoming Black: Rap and Hip-Hop, Race, Gender, Identity, and the Politics of ESL Learning (1999)Becoming Black: Rap and Hip-H…Space and place (1977)Black Noise: Rap Music and Black Culture in Contemporary America. (1995)In Search of Authenticity* (2005)Humor and parody in Finnish rap music videos (2016)Too Dark to Support the Lions, But Light Enough for the Frontlines”: Negotiating Race, Place, and Nation in Afro-Finnish Hip Hop (2019)Finnishness, Whiteness and Coloniality (2022)Time Passages: Collective Memory and American Popular Culture. (1991)Representation: Cultural representations and signifying practices. (1997)Routes: Travel and Translation In the Late Twentieth Century (1998)Tsotsitaal, global culture and local style: identity and recontextualisation in twenty‐first century South African townships (2009)‘First things first, I'm the realest’: Linguistic appropriation, white privilege, and the hip‐hop persona of Iggy Azalea (2015)Race, SIGNS, and the Body (2020)Discipline and Punish: The Birth of the Prison. (1978)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Gender Trouble: Feminism and the Subversion of Identity (1991)Global Englishes, Rip Slyme, and performativity (2003)Race and TESOL: Introduction to Concepts and Theories (2006)The Place of World Englishes in Composition: Pluralization Continued (2006)Super-diversity and its implications (2007)The Location of Culture (2012)Talking Back: Thinking Feminist – Thinking Black (1989)The Sociolinguistics of Globalization (2010)Music and Anti-Racism: Musicians’ Involvement in Anti-Racist Spaces (2018)Rapping the ‘Better folk’: Ideological and scalar negotiations of past and present (2016)From ‘Something in Between’ to ‘Everything All at Once’: Meditations on Liminality and Blackness in Afro-Finnish Hip-Hop and R&B (2022)Espacios musicales colectivos durante y después del conflicto armado como lugares de preservación del tejido social (2017)Rap in Greece: Gendered configurations of power in-between the rhymes (2018)‘Kollegah the Boss’: A case study of persona, types of capital, and virtuosity in German gangsta rap (2019)“Don’t Call Me Eskimo”: Representation, Mythology and Hip Hop Culture on Baffin Island (2009)The Musical Routes of the Spanish Black Atlantic: The Performance of Identities in the Rap of Frank T and El Chojín (2012)‘Makhanda Forever?’: Pirate internet infrastructure and the ephemeral hip hop archive in South Africa (2021)
this work references cited by second hop

References

  • 1999Becoming Black: Rap and Hip-Hop, Race, Gender, Identity, and the Politics of ESL Learning383 cited
  • 2001Beat Streets in the Global Hood: Connective Marginalities of the Hip Hop Globe108 cited
  • 2013From Appropriation to Translation: Localizing Rap Music to Finland19 cited
  • 2014Talking Back: Voices from the African Diaspora in Finland19 cited
  • 2004Hip-hop am Main, rappin' on the Tyne: Hip-hop culture as a local construct in two European cities18 cited
  • 2017Migrant rap in the periphery17 cited
  • 2011Minority Identity as German Identity in Conscious Rap and Gangsta Rap: Pushing the Margins, Redefining the Center15 cited
  • 2017“Who’s Afraid of the Dark?”: The Ironic Self-Stereotype of the Ethnic Other in Finnish Rap Music11 cited
  • 2017“Still Alive, Nigga” : Multi-Semiotic Constructions of Self as Other in Finnish Rap Music Videos9 cited
  • 2007Neutraalisti rasistinen? Erään sanan politiikkaa7 cited
  • 2017Introduction: Hip-hop as Critical Conscience: Framing Dissatisfaction and Dissent6 cited

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