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How We Got into Drum Circles, and How to Get Out: De-Essentializing African Music
9 references·0 citing·28 second hop
How We Got into Drum Circles, and How to Get Out: De-Essentializing African Music (2021)How We Got into Drum Circles, and How to …“Bold and Ragged”: A Cross-Cultural Case for the Aesthetics of Melodic Angularity (2020)“Bold and Ragged”: A Cross-Cu…The African Imagination in Music (2016)The African Imagination in Mu…Pan-African Legacies, Afropolitan Futures (2016)Pan-African Legacies, Afropol…West African Drumming and Dance in North American Universities (2014)West African Drumming and Dan…The beat of my drum: an autobiography (2005)The beat of my drum: an autob…The Invention of African Rhythm (1995)The Invention of African Rhyt…Participatory Discrepancies and the Power of Music (1987)Participatory Discrepancies a…The Black in Jackson's White Spirituals (1981)The Black in Jackson's White …African music in Northern Rhodesia and some other places (1949)African music in Northern Rho…Saving the Appearances: A Study in Idolatry (1957)The Rational and Social Foundations of Music (1958)Motion and Feeling through Music (1966)Aesthetics as Iconicity of Style, or 'Lift-up-over Sounding': Getting into the Kaluli Groove (1988)Music and Language (1994)Music and the Global Order (2004)Tuhami, portrait of a Moroccan (1980)In my father's house: Africa in the philosophy of culture (1992)Piano Four-Hands: Schubert and the Performance of Gay Male Desire (1997)African Philosophy: Myth and Reality (1998)Toward an Ethnomusicology of the Early Music Movement: Thoughts on Bridging Disciplines and Musical Worlds (2001)Making samba: a new history of race and music in Brazil (2013)The Souls of Black Folk: Essays and Sketches (1903)Intonational phonology (1996)Most people are not WEIRD (2010)Onset and Contiguity (2021)I drum, I sing, I dance: An ethnographic study of a West African drum and dance ensemble (2017)The Florida Room (2022)On African Music (2023)Afropolitan Projects: Music, Representation, and the Politics of Belonging in Australia (2017)The Afropolitan Idea: New Perspectives on Cosmopolitanism in African Studies (2017)Decolonizing the Mind Through Song (2019)Mutual Reinforcement and the Origins of Spirituals (1986)Cosmopolitan or Provincial?: Ideology in Early Black Music Historiography, 1867-1940 (1996)WEST AFRICAN DRUMMING, GEOGRAPHY, HISTORY, LANGUAGE, MULTICULTURALISM AND AT-RISK STUDENTS IN THE MUSIC CLASSROOM (2010)Yoruba traditions and African American religious nationalism (2012)Melodic Contour Typology (1976)Performance Practice in the Music of Steve Reich (2016)
this work references cited by second hop

References

  • 1987Participatory Discrepancies and the Power of Music364 cited
  • 2016The African Imagination in Music193 cited
  • 1995The Invention of African Rhythm172 cited
  • 2016Pan-African Legacies, Afropolitan Futures75 cited
  • 2005The beat of my drum: an autobiography22 cited
  • 1949African music in Northern Rhodesia and some other places18 cited
  • 1981The Black in Jackson's White Spirituals9 cited
  • 2014West African Drumming and Dance in North American Universities6 cited
  • 2020“Bold and Ragged”: A Cross-Cultural Case for the Aesthetics of Melodic Angularity5 cited

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