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Cited by

• 2015Doing feminism in the network: Networked laughter and the ‘Binders Full of Women’ meme162 cited
• 2012Acts of Gaiety51 cited
• 2000NOT-ABOUT-AIDS28 cited
• 2016From Self-Effacement to Confrontation: The Emergence of Queer Theatre in Istanbul21 cited
• 2000Revenge of the dead subject: The contexts of Michael Bowman'sKilling Dillinger15 cited
• 2008Feminist Performance Criticism and the Popular: Reviewing Wendy Wasserstein13 cited
• 2008Culture jamming: ideological struggle and the possibilities for social change12 cited
• 2000"Have You Heard the One about the Lesbian Who Goes to the Supreme Court?": Holly Hughes and the Case Against Censorship9 cited
• 2022Tertiary music students’ perspectives on activist-musicianship: Approaches, challenges, and perceived role of higher music education8 cited
• 2007T asteless as H ell : C ommunity P erformance , D istinction, and C ountertaste in H ell H ouse8 cited
• 2018Viral Dramaturgies: HIV and AIDS in Performance in the Twenty-First Century6 cited
• 2003Identity and Agonism: Tim Miller, Cornerstone, and the Politics of Community-Based Theatre6 cited
• 2001Highways, L.A.: Multiple Communities in a Heterolocus5 cited