SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Opera in the Age of Rousseau: Music, Confrontation, Realism Opera in the Age of Rousseau: Music, Confrontation, Realism . By D avid C harlton . (Cambridge Studies in Opera). Cambridge: Cambridge University Press, 2013. xxii + 414 pp., ill.
0 references·4 citing·13 second hop
Opera in the Age of Rousseau: Music, Confrontation, Realism Opera in the Age of Rousseau: Music, Confrontation, Realism . By D avid C harlton . (Cambridge Studies in Opera). Cambridge: Cambridge University Press, 2013. xxii + 414 pp., ill. (2014)Opera in the Age of Rousseau: Music, Conf…Uniting the Arts to Stage the Nation: Le Sueur's Ossian (1804) in Napoleonic Paris (2019)Uniting the Arts to Stage the…TWO HUNTERS, A MILKMAID AND THE FRENCH ‘REVOLUTIONARY’ CANON (2018)TWO HUNTERS, A MILKMAID AND T…C. P. E. BACH ‘IN TORMENTIS’: GOUT PAIN AND BODY LANGUAGE IN THE FANTASIA IN A MAJOR, h 278 (1782) (2016)C. P. E. BACH ‘IN TORMENTIS’:…Philosophe/philosopher (2014)Philosophe/philosopherClassic Music: Expression, Form, and Style (1981)The body in pain (1985)Feminine Endings: Music, Gender, and Sexuality (1992)A Few Canonic Variations (1983)Music in European Capitals: The Galant Style, 1720-1780 (2003)The Secular Commedia: Comic Mimesis in Late Eighteenth-Century Music (2014)Realms of Memory Rethinking the French Past (1996)From the score to the stage: an illustrated history of Continental opera production and staging (2014)Curtain, Gong, Steam (2018)Opera as Reflected in Russian Academic Periodicals of the Last Five Years (2023)Discipline and Punish: The Birth of the Prison (1978)The structural transformation of the public sphere (2006)Dialectic of Enlightenment, 2011 (2011)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2018TWO HUNTERS, A MILKMAID AND THE FRENCH ‘REVOLUTIONARY’ CANON12 cited
  • 2019Uniting the Arts to Stage the Nation: Le Sueur's Ossian (1804) in Napoleonic Paris6 cited
  • 2016C. P. E. BACH ‘IN TORMENTIS’: GOUT PAIN AND BODY LANGUAGE IN THE FANTASIA IN A MAJOR, h 278 (1782)4 cited
  • 2014Philosophe/philosopher2 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work