Extreme Poetry: The South Asian Movement of Simultaneous Narration

Abstract

Figures and Tables Acknowledgments A Note on Sanskrit Transliteration 1. Introduction 2. Experimenting with Slesa in Subandhu's Prose Lab 3. The Disguise of Language: Slesa Enters the Plot 4. Aiming at Two Targets: The Early Attempts 5. Bringing the Ganges to the Ocean: Kaviraja and the Apex of Bitextuality 6. Slesa as Reading Practice 7. Theories of Slesa in Sanskrit Poetics 8. Toward a Theory of Slesa Appendix 1: Bitextual and Multitextual Works in Sanskrit Appendix 2: Bitextual and Multitextual Works in Telugu Notes References Index

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