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The Opera Industry In Italy From Cimarosa To Verdi: The Role Of The Impresario
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  • 1999Social control and the censorship of Giuseppe Verdi's operas in Rome (1844–1859)49 cited
  • 2006Opera and Absolutism in Restoration Italy, 1815–186034 cited
  • 2005Verdi, Politics, and "Va, pensiero": The Scholars Squabble26 cited
  • 1989From princely service to the open market: Singers of Italian opera and their patrons, 1600–185024 cited
  • 2014Copyrights and Creativity: Evidence from Italian Opera in the Napoleonic Age24 cited
  • 1997Futurism, Mass Culture, and Women: The Reshaping of the Artistic Vocation, 1909- 192022 cited
  • 2011Situating opera: period, genre, reception21 cited
  • 1995Frederick Gye and "The Dreadful Business of Opera Management"19 cited
  • 2004Nineteenth-Century Music: Quantity, Quality, Qualities17 cited
  • 2012Magical thinking: reason and emotion in some recent literature on Verdi and politics17 cited
  • 2001The structures of musical life15 cited
  • 1996Felice Romani, librettist by trade12 cited
  • 2012Introduction: opera studies today11 cited
  • 2020Artistic work intermediaries as industrial relations institutions: The case of musicians11 cited
  • 2001

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Patronage and Market in the Creation of Opera Before the Institution of Intellectual Property
9 cited
  • 2010Le travail à l’œuvre: Enquête sur l’autorité contingente du créateur dans l’art lyrique9 cited