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A Break with the Past: The Nigerian Video-film Industry in the Context of Colonial Filmmaking
6 references·0 citing·20 second hop
A Break with the Past: The Nigerian Video-film Industry in the Context of Colonial Filmmaking (2011)A Break with the Past: The Nigerian Video…Looking at Ourselves in our Mirror: Agency, Counter-Discourse, and the Nigerian Video Film (2007)Looking at Ourselves in our M…Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy (2004)Degraded Images, Distorted So…Watching Africans Watch Films: Theories of spectatorship in British Colonial Africa (2000)Watching Africans Watch Films…Black African Cinema (1994)Black African CinemaThe Post-War Career of the Colonial Film Unit in Africa: 1946–1955 (1992)The Post-War Career of the Co…The British Colonial Film Unit and sub-Saharan Africa, 1939–1945 (1988)The British Colonial Film Uni…The Production of Space (1992)The Information Age: Economy, Society and Culture (1999)Pirate Towns: Reworking Social and Symbolic Infrastructures in Johannesburg and Douala (2006)Inside-Out Houses: Urban Belonging and Imagined Futures in Dakar, Senegal (2009)Media Piracy in Emerging Economies (2011)Expectations of Modernity (2019)Journal of the Royal Society of Arts: 1852–1952 (1952)Propaganda, Politics and Film, 1918–45 (1982)British Propaganda and the Mobilization of the Gold Coast War Effort, 1939–1945 (1985)Southern Rhodesian propaganda and education films for peasant farmers, 1948–1955 (1991)John Grierson and the Documentary Film Movement (2013)Reading the Contemporary: African Art from Theory to Marketplace (2001)WOMEN AND EVANGELICAL MERCHANDISING IN THE NIGERIAN FILMIC ENTERPRISE (2011)Curing their ills: colonial power and African illness (1992)The Panicking Audience?: Early cinema and the 'train effect' (1999)Werner Herzog's African Sublime (2012)Filmmakers from Africa and the Middle East at VGIK during the Cold War (2019)Popular Ghanaian Cinema and ?African Heritage? (1999)Africans filming Africa: Questioning theories of an authentic African cinema (2000)A History of African Popular Culture (2017)
this work references cited by second hop

References

  • 2004Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy346 cited
  • 1994Black African Cinema259 cited
  • 2000Watching Africans Watch Films: Theories of spectatorship in British Colonial Africa52 cited
  • 1988The British Colonial Film Unit and sub-Saharan Africa, 1939–194536 cited
  • 1992The Post-War Career of the Colonial Film Unit in Africa: 1946–195536 cited
  • 2007Looking at Ourselves in our Mirror: Agency, Counter-Discourse, and the Nigerian Video Film29 cited

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