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Britain’s Got Talent? A Critique of the “Talent Pipeline” Crisis in the UK’s Film and Television Industries
14 references·0 citing·45 second hop
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References

  • 1985Agendas, Alternatives, and Public Policies11,225 cited
  • 2012Creative Labour: Media Work in Three Cultural Industries715 cited
  • 2009Production Culture: Industrial Reflexivity and Critical Practice in Film and Television268 cited
  • 2000Television production: issues of exploitation, commodification and subjectivity in UK television labour markets262 cited
  • 2012Social Capital and Networks in Film and TV: Jobs for the Boys?195 cited
  • 2009Staying ahead: the economic performance of the UK's creative industries, 2007176 cited
  • 2013Dynamic mapping of the UK's creative industries136 cited
  • 2002Informal Labour Market Governance: the Case of the British and German Media Production Industries105 cited
  • 2003Winning and Losing in Flexible Labour Markets: the Formation and Operation of Networks of Interdependence in the UK Film Industry92 cited
  • 2011Developments in measuring the “creative” workforce75 cited
  • 2011Next Gen: transforming the UK into the world’s leading talent hub for the video games and visual effects industries60 cited
  • 2017Independent review of the creative industries53 cited
  • 2009I Don’t Know Where You Learn Them: Skills in Film and TV32 cited
  • 2015‘It’s a tough drug to kick’: a woman’s career in broadcasting24 cited

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