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Redemption for the Museum of the Bible? Artifacts, provenance, the display of Dead Sea Scrolls, and bias in the contact zone
13 references·2 citing·41 second hop
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References

  • 1993Imperial Eyes: Travel Writing and Transculturation.4,974 cited
  • 1900Imperial Eyes4,588 cited
  • 2011Contact Zones: Participation, Materiality, and the Messiness of Interaction379 cited
  • 2011NEOCOLONIAL COLLABORATION: Museum as Contact Zone Revisited350 cited
  • 1999Representing the Nation : A Reader : Histories, Heritage and Museums140 cited
  • 2003The Archaeology of Qumran and the Dead Sea Scrolls76 cited
  • 2015Contact Zones, Third Spaces, and the Act of Interpretation60 cited
  • 2014Justice through Apologies39 cited
  • 2009The Dead Sea Scrolls, A Full History36 cited
  • 2005The museum’s redemption30 cited
  • 2015Making Contact in an exhibition zone: Displaying contemporary cultural diversity in Donegal, Ireland, through an installation of visual and material portraits20 cited
  • 2015Contentious Politics and Museums as Contact Zones16 cited
  • 2016Contemporary museums as pedagogic contact zones: Potentials of critical cultural adult education13 cited

Cited by

  • 2022Culture, heritage looting, and tourism: A text mining review approach19 cited
  • 2023Innocents Abroad? The Consumption of Antiquities from the Holy Land

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17 cited