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Antidoto liveness. La performance dal vivo durante il Covid-19
16 references·0 citing·34 second hop
Antidoto liveness. La performance dal vivo durante il Covid-19 (2021)Antidoto liveness. La performance dal viv…The work of culture and C-19 (2020)The work of culture and C-19Performing Artists in the age of COVID-19: A moment of urgent action and potential change (2020)Performing Artists in the age…The platformization of cultural production: Theorizing the contingent cultural commodity (2018)The platformization of cultur…Almost like being there? A conceptualisation of live-streaming theatre (2018)Almost like being there? A co…The Mediated Construction of Reality (2016)The Mediated Construction of …The Mediatization of Culture and Society (2013)The Mediatization of Culture …Audience Participation and Neoliberal Value: Risk, agency and responsibility in immersive theatre (2013)Audience Participation and Ne…Digital Liveness: A Historico-Philosophical Perspective (2012)Digital Liveness: A Historico…Come Closer: Confessions of Intimate Spectators in One to One Performance (2012)Come Closer: Confessions of I…Entangled: technology and the transformation of performance (2010)Entangled: technology and the…Entangled (2010)EntangledTheatre & Audience (2009)Theatre & AudienceLiveness: performance in a mediatized culture (2008)Liveness: performance in a me…The meta-process of `mediatization' as a conceptual frame (2007)The meta-process of `mediatiz…Digital Performance (2007)Digital PerformanceThe media and modernity: a social theory of the media (1996)The media and modernity: a so…The Information Age: Economy, Society and Culture (1999)The celebritization of society and culture: Understanding the structural dynamics of celebrity culture (2012)Mediatization of Politics (2014)Mind, Self, and Society (2015)From Mediatized Emotion to Digital Affect Cultures: New Technologies and Global Flows of Emotion (2018)Diffusion of Innovations 1 (2019)Truth and Method (1960)Noise, the Political Economy of Music (1989)The Audience Is Present: Aliveness, Social Media, and the Theatre Broadcast Experience (2018)Response to COVID-19 – losing and finding one another in drama: personal geographies, digital spaces and new intimacies (2020)Stages, Platforms, Streams: The Economies and Industries of Live Music after Digitalization (2021)Platform Competition in Two-Sided Markets (2003)The politics of ‘platforms’ (2010)The second machine age: work, progress, and prosperity in a time of brilliant technologies (2015)Managing visibility on YouTube through algorithmic gossip (2019)Platformisation (2019)What is platform governance? (2019)The Mediatization of Society (2008)Social Network Sites as Networked Publics: Affordances, Dynamics, and Implications (2010)Understanding Social Media Logic (2013)Social Memory Studies: From “Collective Memory” to the Historical Sociology of Mnemonic Practices (1998)Discourse Analysis as Theory and Method (2002)Tweets and the Streets (2012)How to research cross-media practices? Investigating media repertoires and media ensembles (2017)Audiences in an Age of Datafication: Critical Questions for Media Research (2018)Algorithmic Surveillance in the Gig Economy: The Organization of Work through Lefebvrian Conceived Space (2020)Audience Experience in an Anti-expert Age: A Survey of Theatre Audience Research (2017)The audience as artist? The audience’s experience of participatory music (2019)Shakespeare, Spectatorship and the Technologies of Performance (2020)hipDisk (2012)Choreographic Objects (2013)The Robot is Present: Creative Approaches for Artistic Expression With Robots (2021)Conceptualizing Mediatization: Contexts, Traditions, Arguments (2013)Mediatization: theorizing the interplay between media, culture and society (2015)
this work references cited by second hop

References

  • 1996The media and modernity: a social theory of the media2,189 cited
  • 2018The platformization of cultural production: Theorizing the contingent cultural commodity1,724 cited
  • 2008Liveness: performance in a mediatized culture1,677 cited
  • 2013The Mediatization of Culture and Society1,110 cited
  • 2016The Mediated Construction of Reality939 cited
  • 2007Digital Performance501 cited
  • 2007The meta-process of `mediatization' as a conceptual frame346 cited
  • 2010Entangled217 cited
  • 2012Digital Liveness: A Historico-Philosophical Perspective167 cited
  • 2009Theatre & Audience156 cited
  • 2010Entangled: technology and the transformation of performance150 cited
  • 2013Audience Participation and Neoliberal Value: Risk, agency and responsibility in immersive theatre145 cited
  • 2020The work of culture and C-1992 cited
  • 2018Almost like being there? A conceptualisation of live-streaming theatre85 cited
  • 2012Come Closer: Confessions of Intimate Spectators in One to One Performance51 cited
  • 2020Performing Artists in the age of COVID-19: A moment of urgent action and potential change

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