IDENTIFIKASI UMAH ADAT PITU RUANG SEBAGAI PRODUK KEBUDAYAAN GAYO. STUDI KASUS: UMAH REJE BALUNTARA DI ACEH TENGAH

Fani Dila Sari · Haria Nanda Pratama · Indra Setiawan

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Architecture and Cultural Influences Architectural and Urban Studies Cultural and Artistic Studies

Abstract

AbstrakUmah Adat Pitu Ruang merupakan karya seni bangunan rumah adat Suku Gayo. Struktur bangunannya berupa rumah panggung yang memiliki 36 tiang sebagai penopang dengan ornamen-ornamen berbagai warna yang menghiasi Umah Adat Pitu Ruang. Rumah adat Gayo ini memiliki fungsi tidak hanya sebagai bangunan tempat tinggal, namun sebagai identitas budaya Gayo sekaligus penerapan nilai-nilai estetis bagi masyarakatnya. Identifikasi Umah Adat Pitu Ruang sebagai produk kebudayaan Gayo dibentuk oleh tatanan hidup masyarakatnya. Salah satu hasil kebudayaan yang masih ada di daerah Takegon Aceh Tengah yaitu Umah Adat Pitu Ruang. Kebudayaan ini diwariskan oleh leluhur suku Gayo yang representasi wujud kehidupan sosial budaya masyarakat Takegon Aceh Tengah. Rumah adat ini merupakan peninggalan bersejarah atau sebuah mahakarya seni yang memiliki filosofi kehidupan yang berlandaskan kepada nilai-nilai sosial masyarakatnya dilihat dari bangunannya. Studi kasus: Umah reje Baluntara di Aceh Tengah dengan metode penelitian kualitatif. Kata Kunci: gayo, kebudayaan, umah, pitu, ruang.AbstractThe Umah Adat Pitu Ruang is a work of art for the traditional house of the Gayo tribe. The structure of the building is in the form of a house on stilts which has 36 pillars as a support with various colored ornaments that adorn the Umah Adat Pitu Ruang. This Gayo traditional house has a function not only as a residential building, but as a Gayo cultural identity as well as the application of aesthetic values to the community. The identification of the Pitu Ruang Adat Umah as a product of Gayo culture is shaped by the life order of the people. One of the cultural products that still exist in the Takegon area of Central Aceh is the Pitu Room Umah Adat Pitu Ruang. This culture was inherited by the ancestors of the Gayo tribe who represented the socio-cultural life of the Takegon people of Central Aceh. This traditional house is a historical heritage or a masterpiece of art which has a philosophy of life based on the social values of the community as seen from the building. Case study: Umah reje Baluntara in Central Aceh using qualitative research methods.Keywords: gayo, cultural, umah, pitu, ruang.

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