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Taking care of business: The routines and rationales of early-career musicians in the Dutch and British music industries
16 references·11 citing·48 second hop
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(1985)For art's sake! Artistic and economic logics in creative production (2007)Qualitative Data Analysis (2008)Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals (2012)What do we really mean when we talk about ‘exit’? A critical review of research on entrepreneurial exit (2014)Distinction: A Social Critique of the Judgement of Taste* (2018)Modernity at Large: Cultural Dimensions of Globalization. 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(1994)The Corrosion of Character: The Personal Consequences of Work in the New Capitalism (2000)The intrapreneur and innovation in creative firms (2011)Looking Back, Looking Forward: Arts-Based Careers and Creative Work (2013)The Social Construction of Reality (1967)Producing Pop: Culture and Conflict in the Popular Music Industry (1992)Music Genres and Corporate Cultures (2010)New Economy of Fandom (2014)Independent music production: how individuality, technology and creative entrepreneurship influence contemporary music industry practices (2016)Inside the whale (and how to get out of there): Moving on from two decades of creative industries research (2017)The Case Against Intellectual Property (2002)Consumer File Sharing of Motion Pictures (2007)The Effect of File Sharing on Record Sales: An Empirical Analysis (2007)Responses to Entry in Multi-Sided Markets: The Impact of Craigslist on Local Newspapers (2013)Changing Their Tune: How Consumers' Adoption of Online Streaming Affects Music Consumption and Discovery (2017)The unpublished manuscript (2018)Constructing grounded theory : a practical guide through qualitative analysis (2006)Constructing grounded theory. A practical guide through qualitative analysis (2006)Social Capital and Networks in Film and TV: Jobs for the Boys? (2012)Painting the full picture: The conversion of economic, cultural, social and symbolic capital (2015)The Cambridge Companion to Pop and Rock (2001)The Firm Foundation of Organizational Flexibility: The 360 Contract in the Digitalizing Music Industry (2012)Why go to pop concerts? The motivations behind live music attendance (2016)What the digitalisation of music tells us about capitalism, culture and the power of the information technology sector (2017)The corrosion of character: the personal consequences of work in the new capitalism (1999)The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community and Everyday Life (2003)Against Meritocracy (2017)Curating the “Third Place”? Coworking and the mediation of creativity (2017)Platform Practices in the Cultural Industries: Creativity, Labor, and Citizenship (2019)The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change (1991)The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change. (1991)Performing Rites (1996)SoundCloud and Bandcamp as Alternative Music Platforms (2019)Cultural Entrepreneurship: A Review of the Literature (2020)What Is Digital Labour? What Is Digital Work? What’s their Difference? And Why Do These Questions Matter for Understanding Social Media? (2013)Gender and Creative Labour (2015)
this work references cited by second hop

References

  • 2012Creative Labour: Media Work in Three Cultural Industries715 cited
  • 2017Be creative: making a living in the new culture industries704 cited
  • 2006Measuring the Effect of File Sharing on Music Purchases422 cited
  • 2006Lifestyle Meets Market: Bohemian Entrepreneurs in Creative Industries357 cited
  • 2007Rethinking the music industry261 cited
  • 2003Cultural entrepreneurialism: on the changing relationship between the arts, culture and employment1239 cited
  • 2008Cultural Globalization and Arts Journalism: The International Orientation of Arts and Culture Coverage in Dutch, French, German, and U.S. Newspapers, 1955 to 2005205 cited
  • 2012Collaborating in a competitive world: musicians’ working lives and understandings of entrepreneurship189 cited
  • 2017Reluctant entrepreneurs: musicians and entrepreneurship in the ‘new’ music industry174 cited
  • 2007Micro-independent record labels in the UK137 cited
  • 2018Conceptualising the Relationship Between Youth, Music and DIY Careers: A Critical Overview91 cited
  • 2018Gender Inequality in Metal Music Production91 cited
  • 2017Beats and tweets: Social media in the careers of independent musicians85 cited
  • 2018Young musicians’ career identities: do bohemian and entrepreneurial career identities compete or cohere?49 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2012The International Recording Industries48 cited
  • 2013The history of live music in Britain41 cited
  • Cited by

    • 2021The working life of musicians: mapping the work activities and values of early-career pop musicians in the Dutch music industry44 cited
    • 2022Milestones in music: Reputations in the career building of musicians in the changing Dutch music industry25 cited
    • 2023Music in business and management studies: a systematic literature review and research agenda22 cited
    • 2022Live music and the New Urban Agenda: Social, economic, environmental and spatial sustainability in live music ecologies17 cited
    • 2022Art in the Twenty-First Century15 cited
    • 2021Valuing value in urban live music ecologies: negotiating the impact of live music in the Netherlands13 cited
    • 2023Making it big in live music: a multilevel analysis of careers in live music8 cited
    • 2024Female music entrepreneurs’ use of international social capital and digital technology8 cited
    • 2025What Do Musicians Think of Digital Platforms?4 cited
    • 2024Licensed to Rock (or so they say). How Popular Music Programmes at Higher Music Education Institutions Create Professional Musicians4 cited
    • 2021Street performers and donations in an online environment in the wake of COVID-194 cited