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Non-invasive identification of dyed textiles by using VIS-NIR FORS and hyperspectral imaging techniques

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2016Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts323 cited
2006Application of surface‐enhanced Raman scattering techniques to the ultrasensitive identification of natural dyes in works of art244 cited
2010Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in Situ239 cited
2013Identification of dyestuffs in historical textiles: Strong and weak points of a non-invasive approach165 cited
2020Hyper-Spectral Imaging Technique in the Cultural Heritage Field: New Possible Scenarios155 cited
2008Characterisation of historical organic dyestuffs by liquid chromatography–mass spectrometry150 cited
2007The Colourful Past: Origins, Chemistry and Identification of Natural Dyestuffs149 cited
2019Seeing red: towards an improved protocol for the identification of madder- and cochineal-based pigments by fiber optics reflectance spectroscopy (FORS)98 cited
2017Identification of natural red and purple dyes on textiles by Fiber-optics Reflectance Spectroscopy80 cited
2020Reflectance imaging spectroscopy in heritage science62 cited
2015A diagnostic study on folium and orchil dyes with non-invasive and micro-destructive methods58 cited
2018Non-invasive study of natural dyes on historical textiles from the collection of Michelangelo Guggenheim56 cited
2014Fourier‐transform surface‐enhanced Raman spectroscopy (FT‐SERS) applied to the identification of natural dyes in textile fibers: an extractionless approach to the analysis

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