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Introduction
16 references·0 citing·47 second hop
Introduction (2021)IntroductionLabour process theory and the gig economy (2018)Labour process theory and the…Reluctant entrepreneurs: musicians and entrepreneurship in the ‘new’ music industry (2017)Reluctant entrepreneurs: musi…Une histoire du rap en France (2014)Une histoire du rap en FranceConstructing Quality (2013)Constructing QualityWhat Is Sociological about Music? (2010)What Is Sociological about Mu…The economy of live music in the digital age (2010)The economy of live music in …The Software Slump?: Digital Music, the Democratisation of Technology, and the Decline of the Recording Studio Sector within the Musical Economy (2009)The Software Slump?: Digital …Creative Labour (2009)Creative LabourClassification as Culture: Types and Trajectories of Music Genres (2008)Classification as Culture: Ty…Wired Shut (2007)Wired ShutLes musicos (2007)Les musicosFemmes du jazz (2007)Femmes du jazzLa production de la culture (2006)La production de la cultureMusic Scenes (2004)Music ScenesTime–Space (and Digital) Compression: Software Formats, Musical Networks, and the Reorganisation of the Music Industry (2001)Time–Space (and Digital) Comp…Classification in Art (1987)Classification in ArtElectronic markets and electronic hierarchies (1987)Code and Other Laws of Cyberspace (1999)Gramophone, film, typewriter (1999)On the reproduction of the musical economy after the Internet (2005)Video games production networks: value capture, power relations and embeddedness (2005)A Creative Industry in Transition: The Rise of Digitally Driven Independent Music Production (2012)Noise: The Political Economy of Music (1986)Club cultures: music, media and subcultural capital (1996)Mapping Shared Understandings Using Relational Class Analysis: The Case of the Cultural Omnivore Reexamined (2011)Rebels with a Cause: Formation, Contestation, and Expansion of the De Novo Category “Modern Architecture,” 1870–1975 (2011)Authenticity (2018)Distinction: A Social Critique of the Judgement of Taste* (2018)Purity and Danger: An Analysis of Concepts of Pollution and Taboo (1967)Understanding audience segmentation: From elite and mass to omnivore and univore (1992)Subculture: The Meaning of Style (1995)Culture, Class, and Connections (1996)Legitimacy as a Social Process (2006)Selections from the prison notebooks (2020)The Social Construction of Reality: A Treatise in the Sociology of Knowledge. (1967)Music in Everyday Life (2000)Critique and Renewal in the Sociology of Music: Bourdieu and Beyond (2011)Genre Complexes in Popular Music (2016)The ‘lonely raver’: music livestreams during COVID-19 as a hotline to collective consciousness? (2020)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Destination culture: tourism, museums, and heritage (1999)The Firm Foundation of Organizational Flexibility: The 360 Contract in the Digitalizing Music Industry (2012)Why go to pop concerts? The motivations behind live music attendance (2016)The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change (1991)The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change. (1991)Performing Rites (1996)SoundCloud and Bandcamp as Alternative Music Platforms (2019)Cultural Entrepreneurship: A Review of the Literature (2020)The working life of musicians: mapping the work activities and values of early-career pop musicians in the Dutch music industry (2021)Labor and Monopoly Capital (1974)Manufacturing Consent: Changes in the Labor Process Under Monopoly Capitalism. (1981)The Managed Heart: Commercialization of Human Feeling (1984)From surviving to thriving in the gig economy: A research agenda for individuals in the new world of work (2018)Platform-Capital’s ‘App-etite’ for Control: A Labour Process Analysis of Food-Delivery Work in Australia (2019)Riders on the Storm: Workplace Solidarity among Gig Economy Couriers in Italy and the UK (2019)Soundscapes: Toward a Sounded Anthropology (2010)Translocality: Concepts, Applications and Emerging Research Perspectives (2013)The end of the net as we know it? Deep packet inspection and internet governance (2011)Digital Subscriptions: The Unending Consumption of Music in the Digital Era (2017)Digital Platforms and Infrastructure in the Realm of Culture (2023)Happiness as a Reward for Artistic Work (2013)Mastering the jazz standard: Sayings and doings of artistic valuation (2013)Artist, Craftsman, Teacher: “Being a Musician” in France and Switzerland (2017)
this work references cited by second hop

References

  • 1987Classification in Art1,214 cited
  • 2018Labour process theory and the gig economy941 cited
  • 2008Classification as Culture: Types and Trajectories of Music Genres487 cited
  • 2004Music Scenes437 cited
  • 2007Wired Shut263 cited
  • 2010What Is Sociological about Music?214 cited
  • 2001Time–Space (and Digital) Compression: Software Formats, Musical Networks, and the Reorganisation of the Music Industry190 cited
  • 2007Les musicos174 cited
  • 2017Reluctant entrepreneurs: musicians and entrepreneurship in the ‘new’ music industry174 cited
  • 2010The economy of live music in the digital age167 cited
  • 2009The Software Slump?: Digital Music, the Democratisation of Technology, and the Decline of the Recording Studio Sector within the Musical Economy157 cited
  • 2014Une histoire du rap en France145 cited
  • 2007Femmes du jazz134 cited
  • 2006La production de la culture90 cited
  • 2013Constructing Quality89 cited
  • 2009Creative Labour82 cited

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