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Schubert's fingerprints: studies in the instrumental works
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Schubert's fingerprints: studies in the instrumental works (2012)Schubert's fingerprints: studies in the i…A ‘New Scale’ from the Beyond:Verbunkosand Triadic Transformations in a Piece Attributed to the Spirit of Liszt by Rosemary Brown (2023)A ‘New Scale’ from the Beyond…The Songs of Fanny Hensel (2021)The Songs of Fanny HenselStructure and Variable Formal Function in Schubert’s Three-Key Expositions (2021)Structure and Variable Formal…Songs of Travel (2021)Songs of TravelProcess and Pendulum in Schubert's Expanded Type 1 Sonatas (2021)Process and Pendulum in Schub…Plagal Cadences in Fanny Hensel’s Songs (2021)Plagal Cadences in Fanny Hens…“You too may change” (2021)“You too may change”Schubert's reconciliation of gothic and classical influences (2016)Schubert's reconciliation of …Detours, wrong tracks and dead ends: the Wanderer in the labyrinth of Schubert's late instrumental music (2016)Detours, wrong tracks and dea…Schubert’s Harmonic Language and Fourier Phase Space (2015)Schubert’s Harmonic Language …Generalized Musical Intervals and Transformations (1988)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)A geometry of music: harmony and counterpoint in the extended common practice (2011)Special Collections (2016)Fourier Phase and Pitch-Class Sum (2019)Stylistic information in pitch-class distributions (2019)Classic Music: Expression, Form, and Style (1981)Rhythmic Gesture in Mozart: Le Nozze di Figaro and Don Giovanni (1983)Music as Cultural Practice, 1800-1900 (1991)Schubert: die Dokumente seines Lebens (1966)The Classical Style: Haydn, Mozart, Beethoven (1976)Schubert's Sonata Form and Brahms's First Maturity (1978)Complete poetical works (1983)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert (2005)Prolongational Closure in the Lieder of Fanny Hensel (2020)Formal Excess in the Opening Movement of Fanny Hensel’s String Quartet in E♭ Major (1834) (2023)Introduction to the Sociology of Music. (1977)Elements of Sonata Theory (2006)Phrase Rhythm in Tonal Music (1991)Classical Form (1998)Style and music: theory, history, and ideology (1990)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)
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Cited by

  • 2015Schubert’s Harmonic Language and Fourier Phase Space44 cited
  • 2021The Songs of Fanny Hensel21 cited
  • 2021“You too may change”18 cited
  • 2021Songs of Travel16 cited
  • 2021Plagal Cadences in Fanny Hensel’s Songs16 cited
  • 2021Process and Pendulum in Schubert's Expanded Type 1 Sonatas3 cited
  • 2023A ‘New Scale’ from the Beyond:Verbunkosand Triadic Transformations in a Piece Attributed to the Spirit of Liszt by Rosemary Brown3 cited
  • 2016Schubert's reconciliation of gothic and classical influences2 cited
  • 2016Detours, wrong tracks and dead ends: the Wanderer in the labyrinth of Schubert's late instrumental music2 cited
  • 2021Structure and Variable Formal Function in Schubert’s Three-Key Expositions2 cited

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