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Music, Art, and Metaphysics.
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Music, Art, and Metaphysics. (1993)Music, Art, and Metaphysics.Artistic (Counter) Speech (2022)Artistic (Counter) SpeechThe Principles of Judaism (2020)The Principles of JudaismChoreography Invisible (2020)Choreography InvisibleBeing True to Works of Music (2020)Being True to Works of MusicWhy can’t I change Bruckner’s Eighth Symphony? (2018)Why can’t I change Bruckner’s…Feeling, emotion and imagination: in defence of Collingwood's expression theory of art (2017)Feeling, emotion and imaginat…Metaphysical Disputes and Metalinguistic Negotiation (2016)Metaphysical Disputes and Met…On Defining Music (2012)On Defining MusicMusical Works: Ontology and Meta‐Ontology (2008)Musical Works: Ontology and M…Debates about the Ontology of Art: What are We Doing Here? (2006)Debates about the Ontology of…Creative film and media practice as research: In pursuit of that obscure object of knowledge (2006)Creative film and media pract…The Ontology of Art (2004)The Ontology of ArtDigital Art (2004)Digital ArtEmotion and Peace of Mind (2002)Emotion and Peace of MindStructuralism and Musical Plot (1997)Structuralism and Musical PlotWhat Music Teaches about Emotion (1996)What Music Teaches about Emot…PHILOSOPHY AND PHENOMENOLOGICAL RESEARCH (1941)Naming and Necessity (1972)The meaning of ‘meaning’ (2010)Propositions, attitudinal objects, and the distinction between actions and products (2013)The Beautiful in Music (1957)Emotion (1980)The Structure of Emotions (1987)Chrysippus — Posidonius — Seneca: A High-Level Debate on Emotion (1998)Emotional Experience and Religious Understanding: Integrating Perception, Conception and Feeling (2005)Emotions Expressed and Aroused by Music (2010)Languages of Art (1976)Fiction and Metaphysics (1998)Sameness and Substance Renewed (2001)Adventures in the metaontology of art: local descriptivism, artefacts and dreamcatchers (2012)Modellbildung in den Sozialwissenschaften (2014)The Composer's Voice (1974)Structuralism and Semiotics (1977)Beethoven Hero (1995)Silent Narration? Elements of Narrative in Ives's The Unanswered Question (2004)Form, Structure, and Musical Drama in Two Mozart Expositions (2006)Structuralists contra Serialists? Claude Lévi-Strauss and Pierre Boulez on Avant-Garde Music (2011)The Principles of Psychology (1891)Cognitive, social, and physiological determinants of emotional state. (1962)Sources of the self: the making of the modern identity (1990)Seeing Thought: Timomachus' Medea and Ecphrastic Epigram (2004)The Cambridge History of Medieval Philosophy (2009)Insights and Blindspots of the Cognitivist Theory of Emotions (2010)Scorekeeping in a language game (1979)Writing the Book of the World (2011)Resisting Reality (2012)Norms and Necessity (2013)Introduction (2020)Conceptual engineering: when do we need it? How can we do it? (2021)Philosophical Investigations. (1954)Sincerity and Authenticity (1972)Stanford Encyclopedia of Philosophy (2016)Everyone Can Change a Musical Work (2021)The Heart of Classical Work-Performance (2021)Singularities (2024)Conjectures and Refutations: The Growth of Scientific Knowledge. (1964)Reason, Truth and History (1981)Frege : Philosophy of language. By Michael Dummett. 2nd ed. Cambridge, MA: Harvard University Press, 1981. Pp. xliii, 708. (1983)Seeing and not Seeing the Face of God: Overcoming the Law of Contradiction in Biblical Theology (2020)Proselytism as Epistemic Violence: A Jewish Approach to the Ethics of Religious Persuasion (2021)Faith and resilience (2022)Ontological Relativity and Other Essays (1969)Making it explicit : reasoning, representing, and discursive commitment (1994)Oxford Dictionary of English (2010)An Ontology of Multiple Artworks (2024)Meaning (1957)Speech Acts (1969)Bearing Witness and Creative Activism (2023)AI, art and morality (2025)
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Cited by

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  • 2002Emotion and Peace of Mind132 cited
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  • 2006Debates about the Ontology of Art: What are We Doing Here?75 cited
  • 2020The Principles of Judaism68 cited
  • 2022Artistic (Counter) Speech61 cited
  • 1996What Music Teaches about Emotion56 cited
  • 2020Choreography Invisible48 cited
  • 1997Structuralism and Musical Plot44 cited
  • 2020Being True to Works of Music43 cited
  • 2018Why can’t I change Bruckner’s Eighth Symphony?43 cited
  • 2008Musical Works: Ontology and Meta‐Ontology41 cited
  • 2017Feeling, emotion and imagination: in defence of Collingwood's expression theory of art40 cited
  • 2012On Defining Music38 cited
  • 2004Digital Art37 cited
  • 2006Creative film and media practice as research: In pursuit of that obscure object of knowledge34 cited

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