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The origins of syncopation in American popular music
16 references·3 citing·34 second hop
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References

  • 1995The power of black music: interpreting its history from Africa to the United States388 cited
  • 1997The Power of Black Music: Interpreting its History from Africa to the United States.330 cited
  • 1867Slave songs of the United States303 cited
  • 2000Fantasy pieces: metrical dissonance in the music of Robert Schumann255 cited
  • 2004Lost sounds: blacks and the birth of the recording industry, 1890-1919223 cited
  • 1988The New Harvard Dictionary of Music216 cited
  • 1999Fantasy Pieces199 cited
  • 1987The New Harvard Dictionary of Music169 cited
  • 1914Afro-American folksongs : a study in racial and national music150 cited
  • 1999Syncopation in rock: a perceptual perspective145 cited
  • 2011Why Do Jazz Musicians Swing Their Eighth Notes?107 cited
  • 1963Dan Emmett and the Rise of Early Negro Minstrelsy95 cited
  • 2016A Platonic Model of Funky Rhythms87 cited
  • 1990Origins of the popular style: the antecedents of twentieth-century popular music81 cited
  • 1983The Music of Black Americans80 cited
  • 1997The Clave of Jazz: A Caribbean Contribution to the Rhythmic Foundation of an African-American Music

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79 cited

Cited by

  • 2022Analyzing Vocables in Rap7 cited
  • 2024Prosodic Dissonance3 cited
  • 2022The evolution of syncopation in twentieth-century American popular music2 cited