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“Use 19 Metal Pieces of Approximately the Same Timbre”. An Analysis of Twelve Recorded Performances of Xenakis’s Métaux (Pléïades)
8 references·0 citing·32 second hop
“Use 19 Metal Pieces of Approximately the Same Timbre”. An Analysis of Twelve Recorded Performances of Xenakis’s Métaux (Pléïades) (2021)“Use 19 Metal Pieces of Approximately the…Considerações históricas, estruturais e características sobre o instrumento Sixxen, de Iannis Xenakis (2018)Considerações históricas, est…Time‐Space Experience in Works for Solo Cello by Lachenmann, Xenakis and Ferneyhough: a Performance‐Sensitive Approach to Morphosyntactic Musical Analysis (2016)Time‐Space Experience in Work…Beyond the score: music as performance (2014)Beyond the score: music as pe…Actor-Networks in Music History: Clarifications and Critiques (2014)Actor-Networks in Music Histo…The Inertia of Matter and the Generativity of Flesh (2010)The Inertia of Matter and the…Conversations with Iannis Xenakis (2003)Conversations with Iannis Xen…Notes on the theory of the actor-network: Ordering, strategy, and heterogeneity (1992)Notes on the theory of the ac…Some Elements of a Sociology of Translation: Domestication of the Scallops and the Fishermen of St Brieuc Bay (1984)Some Elements of a Sociology …Science in Action: How to Follow Scientists and Engineers through Society (1988)Music in Everyday Life (2000)Reassembling the Social (2005)Decomposed: a political ecology of music (2015)Latour and Literary Studies (2015)The Race of Sound Listening, Timbre, and Vocality in African American Music (2019)The Sociology of Science: Theoretical and Empirical Investigations (1974)The Social Construction of Facts and Artefacts: or How the Sociology of Science and the Sociology of Technology might Benefit Each Other (1984)Laboratory Life: The Social Construction of Scientific Facts (1986)Sociomaterial Practices: Exploring Technology at Work (2007)The Politics and Poetics of Infrastructure (2013)Poetics of Music in the Form of Six Lessons (1970)The time of music: new meanings, new temporalities, new listening strategies (1989)Large‐Scale Structure, Performance and Brahms's Op. 119 No. 2 (2021)Empirical Approaches to the Performance Analysis of New Music (2024)Discipline and Punish: The Birth of the Prison (1978)Discipline and Punish: The Birth of the Prison. (1978)Actor-Network Theory and IS Research: Current Status and Future Prospects (1997)The spaces of actor-network theory (1998)10 Sociomateriality: Challenging the Separation of Technology, Work and Organization (2008)Distinction: A Social Critique of the Judgement of Taste* (2018)Xenakis: His Life in Music (2004)Repertório para Sixxen (2021)Letting Geography Fall Where it May — Aerographies Address the Elemental (2011)Rhetoric as a Posthuman Practice (2018)Rights for Robots (2020)Music of Sound and Light: Xenakis's Polytopes (1998)Xenakis (2004)Senses of place: architectural design for the multisensory mind (2020)Dimensions of Musical Creativity (2020)Resonanzaffine Musikvermittlung. Ein dynamisches Modell für starke Musikerlebnisse (2023)Classical and Romantic Performing Practice (2025)
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References

  • 1984Some Elements of a Sociology of Translation: Domestication of the Scallops and the Fishermen of St Brieuc Bay7,756 cited
  • 1992Notes on the theory of the actor-network: Ordering, strategy, and heterogeneity3,245 cited
  • 2014Beyond the score: music as performance623 cited
  • 2014Actor-Networks in Music History: Clarifications and Critiques254 cited
  • 2010The Inertia of Matter and the Generativity of Flesh139 cited
  • 2003Conversations with Iannis Xenakis61 cited
  • 2016Time‐Space Experience in Works for Solo Cello by Lachenmann, Xenakis and Ferneyhough: a Performance‐Sensitive Approach to Morphosyntactic Musical Analysis12 cited
  • 2018Considerações históricas, estruturais e características sobre o instrumento Sixxen, de Iannis Xenakis4 cited

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