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Successful Music Performer’s Personality Traits
11 references·1 citing·47 second hop
Successful Music Performer’s Personality Traits (2021)Successful Music Performer’s Personality …Personality influences career choice: sensation seeking in professional musicians (2010)Personality influences career…Personality and thinking style in different creative domains. (2010)Personality and thinking styl…The Science and Psychology of Music Performance Creative Strategies for Teaching and Learning (2002)The Science and Psychology of…The Science & Psychology of Music Performance (2002)The Science & Psychology of M…Personality of Rock Musicians (2000)Personality of Rock MusiciansPersonality Characteristics of Music Educators and Performers (1994)Personality Characteristics o…The role of deliberate practice in the acquisition of expert performance. (1993)The role of deliberate practi…Developing Talent in Young People (1985)Developing Talent in Young Pe…Stereotypes and personality of classical musicians. (1983)Stereotypes and personality o…The Composer's View of the Teacher (1977)The Composer's View of the Te…On Playing the Flute (1966)On Playing the FluteUkrainian piano music paradigm of the past and present in the performance dimension (2024)Ukrainian piano music paradig…Psychology of Musical Talent * (1920)Studies of independence and conformity: I. A minority of one against a unanimous majority. (1956)The Sex-Stereotyping of Musical Instruments (1978)Musical instrument choice and playing history in post‐secondary level music students: some descriptive data, some causes and some background factors (2004)Music Ensemble Participation: Personality Traits and Music Experience (2016)Orchestrated Sex: The Representation of Male and Female Musicians in World-Class Symphony Orchestras (2019)Manual for the State-Trait Anxiety Inventory (1970)Sensation Seeking : Beyond the Optimal Level of Arousal (1979)Behavioral Expressions and Biosocial Bases of Sensation Seeking (1994)Getting into the musical zone: trait emotional intelligence and amount of practice predict flow in pianists (2013)Music for insomnia in adults (2015)Listening to music for insomnia in adults (2022)The nature and nurture of creative talent. (1962)Sex role adaptability: One consequence of psychological androgyny. (1975)Gender schema theory: A cognitive account of sex typing. (1981)Desirable and Undesirable Androgyny: A Prescription for the Twenty-First Century (2004)Motivation, Emotion, and Cognition (2004)The trait emotional intelligence of ballet dancers and musicians. (2006)Conditions of Learning (1965)The 2 Sigma Problem: The Search for Methods of Group Instruction as Effective as One-to-One Tutoring (1984)Flow: the psychology of optimal experience (1990)Long-term working memory. (1995)EXPERT AND EXCEPTIONAL PERFORMANCE: Evidence of Maximal Adaptation to Task Constraints (1996)Child Development and Emergent Literacy (1998)A psychological taxonomy of trait-descriptive terms: The interpersonal domain. (1979)Creativity, divergent thinking, and openness to experience. (1987)Four ways five factors are not basic (1992)More similarities than differences among elite music students in jazz, folk music and classical genre – Personality, practice habits, and self-rated music-related strengths and weaknesses (2009)Performance Psychology in the Performing Arts (2012)Five-factor personality profiles among Norwegian musicians compared to the general workforce (2017)The nature of human intelligence (1967)Human Problem Solving (1972)How the Mind Works (1999)Emotions and Creativity (2019)The Creative Life: A Daily Diary Study of Creativity, Affect, and Well-Being in Creative Individuals (2022)Improvised Ornamentation in Eighteenth-Century Orchestras (1986)Magic Mirrors and the Seria Stage: Thoughts toward a Ritual View (1995)Beggar at the Door: The Rise and Fall of Portamento in Singing (2006)Toward a psychology of positive youth development. (2000)Grit: Perseverance and passion for long-term goals. (2007)Rethinking Giftedness and Gifted Education (2011)Music Performance Research at the Millennium (2003)When passion leads to excellence: the case of musicians (2010)Self-determination theory: An approach to motivation in music education (2015)Music education in the twenty-first century: a psychological perspective (2003)Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance (2010)Descriptions of Improvisational Thinking by Artist-Level Jazz Musicians (2011)
this work references cited by second hop

References

  • 1993The role of deliberate practice in the acquisition of expert performance.9,542 cited
  • 1985Developing Talent in Young People1,704 cited
  • 2002The Science and Psychology of Music Performance Creative Strategies for Teaching and Learning395 cited
  • 2002The Science & Psychology of Music Performance217 cited
  • 2000Personality of Rock Musicians87 cited
  • 1966On Playing the Flute78 cited
  • 2010Personality and thinking style in different creative domains.75 cited
  • 2010Personality influences career choice: sensation seeking in professional musicians61 cited
  • 1994Personality Characteristics of Music Educators and Performers49 cited
  • 1983Stereotypes and personality of classical musicians.22 cited
  • 1977The Composer's View of the Teacher4 cited

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  • 2024Ukrainian piano music paradigm of the past and present in the performance dimension2 cited

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