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Storytellers and the Participatory Audience
9 references·0 citing·22 second hop
Storytellers and the Participatory Audience (2021)Storytellers and the Participatory Audien…The Market Logics of Contemporary Fiction (2019)The Market Logics of Contempo…The effect of emerging new media in book publishing: lessons from the origins of cross-media storytelling in the early twentieth century for contemporary transmedia researchers (2016)The effect of emerging new me…Narrative as Virtual Reality 2 (2015)Narrative as Virtual Reality 2The London stage, 1910-1919: a calendar of productions, performers, and personnel (2014)The London stage, 1910-1919: …The London stage, 1890-1899: a calendar of productions, performers, and personnel (2014)The London stage, 1890-1899: …Dreamers and Insomniacs: Audiences in Sleep No More and The Night Circus (2014)Dreamers and Insomniacs: Audi…Reframing British Cinema, 1918-1928: Between Restraint and Passion (2003)Reframing British Cinema, 191…‘I'll Be Here With You': Fans, Fantasy and the Figure of Elvis (2002)‘I'll Be Here With You': Fans…All is True: The Claims and Strategies of Realist Fiction. (1996)All is True: The Claims and S…EFFICIENT CAPITAL MARKETS: A REVIEW OF THEORY AND EMPIRICAL WORK* (1970)Postmodernism, or, The cultural logic of late capitalism (1991)Capital: A Critique of Political Economy (2020)Biopolitical Futures in Twenty-First-Century Speculative Fiction (2021)Shouldn’t we all be doing cultural economy? (2021)Drugs, Thugs, and Divas (2008)Hitchcock and Early Filmmakers (2011)The Sounds of the Silents in Britain (2012)Suspicious Characters: Realism, Asian American Identity, and Theresa Hak Kyung Cha's Dictee (2002)Beginnings (2005)Medieval Spanish prose (2005)The Sleeping Spectator (2016)Shakespeare, Technicity, Theatre (2020)Audience behavior in immersive theatre: an environment-behavior studies analysis of Punchdrunk’s Sleep No More (2023)Film adaptation for knowing audiences: analysing fan on-line responses to the end of Breaking Dawn – Part 2 (2012) (2017)Fanship and the Television Sports Viewing Experience (1995)Celebrity fan involvement and destination perceptions (2008)Cultural capital today (2008)Who but not where: The effect of social play on immersion in digital games (2013)Oculus imaginaries: The promises and perils of Facebook’s virtual reality (2020)Investigating Users’ Acceptance of the Metaverse with an Extended Technology Acceptance Model (2023)Cultural Convergence (2020)
this work references cited by second hop

References

  • 2002‘I'll Be Here With You': Fans, Fantasy and the Figure of Elvis546 cited
  • 2015Narrative as Virtual Reality 2390 cited
  • 1996All is True: The Claims and Strategies of Realist Fiction.146 cited
  • 2003Reframing British Cinema, 1918-1928: Between Restraint and Passion71 cited
  • 2019The Market Logics of Contemporary Fiction70 cited
  • 2014Dreamers and Insomniacs: Audiences in Sleep No More and The Night Circus23 cited
  • 2014The London stage, 1910-1919: a calendar of productions, performers, and personnel9 cited
  • 2014The London stage, 1890-1899: a calendar of productions, performers, and personnel9 cited
  • 2016The effect of emerging new media in book publishing: lessons from the origins of cross-media storytelling in the early twentieth century for contemporary transmedia researchers2 cited

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