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Anne Teresa De Keersmaeker’sViolin Phaseand the Experience of Time, or Why Does Process Music Work?
16 references·0 citing·36 second hop
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References

  • 1993Hand and mind: what gestures reveal about thought5,094 cited
  • 2013Phenomenology of Perception4,856 cited
  • 1973Techniques of the body ∗1,989 cited
  • 2019Review of “Race After Technology: Abolitionist Tools for the New Jim Code”1,474 cited
  • 1984The Dance of Life: The Other Dimension of Time794 cited
  • 2014Beyond the score: music as performance623 cited
  • 2017To be in synchrony or not? A meta-analysis of synchrony's effects on behavior, perception, cognition and affect477 cited
  • 1989The time of music: new meanings, new temporalities, new listening strategies412 cited
  • 1999The specious present: A neurophenomenology of time consciousness.362 cited
  • 1996Text and act: essays on music and performance331 cited
  • 1986Music Theory, Phenomenology, and Modes of Perception319 cited
  • 2009Agency and Embodiment303 cited
  • 2009Agency and Embodiment: Performing Gestures/Producing Culture292 cited
  • 2000Theology, Music and Time257 cited
  • 1991African Polyphony and Polyrhythm231 cited
  • 2016Time as Technique229 cited

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