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Rethinking the sylph: new perspectives on the Romantic ballet
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  • 1999Parallel Traditions: State Folk Dance Ensembles and Folk Dance in “The Field”52 cited
  • 2004‘The Moment When it All Comes Together’49 cited
  • 2020Choreography Invisible48 cited
  • 1998Cutthroats and Casbah Dancers, Muezzins and Timeless Sands: Musical Images of the Middle East34 cited
  • 2008‘The Russian Barnum’: Russian Opinions on Diaghilev's Ballets Russes, 1909–191431 cited
  • 2005All the (Dis)Comforts of Home: Place, Gendered Self-Fashioning, and Solidarity in a Ballet Studio15 cited
  • 2006Yearning for the Spiritual Ideal: The Influence of India on Western Dance 1626–200311 cited
  • 2006Caught Dancing: Hybridity, Stability, and Subversion in Dance Theatre of Harlem's Creole Giselle7 cited
  • 2014THEREALBAYADÈRE MEETS THE BALLERINA ON THE WESTERN STAGE6 cited
  • 2013Re-reading Mary Wigman’s Hexentanz II (1926): the influence of the non-Western ‘Other’ on movement practice in early modern ‘German’ dance6 cited
  • 2020One Dead at the Paris Opera Ballet6 cited
  • 2013Fairies and Sylphs: Femininity, Technology and Technique4 cited

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